Never give up

by Mary Dinan

Need encouragement? Never give up!

You've written your book. You have put in hours of love, labour and language. Now all you have to do is get someone to believe in it the way you do.

Remember you only need one door to open.

I met with many rejections while submitting proposals, and failure to get an agent was really discouraging. It was then I decided I would be my own agent and approach the publishers. For this, what you need is a one page query to send off and if the publisher is interested they will request a full book proposal. It really saves so much time to email a simple query. It also helps to have the name of the Publishing Director. And it helps to identify the genres which interest your chosen publisher.

A very good friend and columnist with The Sunday Times sent me a text saying, 'Persistence is everything.' During times of doubt I re-opened his text.

Think of all the great authors who met with rejection before becoming published. If you get rejection letters giving the same reason for the rejection time after time, it might be worth taking note and making ammendments but sometimes it may be just the wrong time in that particular place or the wrong genre for that publisher.

Remember you only need one yes. Maybe you are asking, 'well how do you know'?

I know because I've been through all the rejections and doubts. Any positive feedback you get from your rejection letter, keep it in your head for it will keep you going on the dark days.

There was one literary agent I contacted in London in the early days of writing my travel book and he told me that even though it wasn't for him it was 'publishable.' His words spurred me to keep going when all those manuscripts came back. That one straw made the difference between giving up and hanging in there.

It might surprise you to hear that George Orwell suffered rejection. Animal Farm was firmly rejected.
Stephen king had oodles of rejections for his Carrie novel but it didn't stop him. Lord of the flies was rejected by 20 publishers, one saying it was 'un- interesting rubbish and dull'. What would have happened if William Golding had listened?

J.K. Rowling may well have been discouraged as her book Harry Potter and the Philosopher’s stone was rejected by no less than 12 major publishers. Many offering the rejection letters were major publishers. Never underestimate the power of a small press. Never give up.

John le Carré, author of The spy Who Came In From The Cold was told he had no future by one such publisher. If he had listened this book would never have seen the light of day.

These are just a few authors who experienced the closed doors, only to find that one door opened and that was all they needed. Hang in there. It can happen swiftly and unexpectedly.

There is nothing like the joy of a book contract in your hand!

I get up again

The artist in sunnier times.

I've often wondered why there's no eqivalent, positive alternative to 'suffering for one's art'. How about thriving? Or perhaps blossoming? (I draw the line at pleasuring for one's art because that just sounds plain wrong.)

Is the suffering essential? Certainly, artists of all persuasions can and do suffer. They experience fear, isolation, frustration, loss, self-doubt, crushing disappointment, rejection and sheer bloody unhappiness.

What do we gain from all that? Buddha suggested that the root of all suffering (apart from the human condition itself) is attachment. 

When we insist that we and our work are appreciated, we're setting up an equation where we only have control at one end - the rest is a set of variables we may not even fully comprehend.

Suffering may bring about a deeper experience of what it is to be an artist, as well as of the art itself. But what about the audience? What does the reader think?

Personally, although I like to know an author's back story, I care little about whether they've lived in the street or in a mansion. (Okay, I'll be honest here and tell you that the mansion would bother me a little.) First and foremost, it's the writing that counts and not how they arrive at it.

So is there another way, an alternative to suffering? I certainly hope so! Don't misunderstand me, I think creativity is a serious business, in every sense. But surely it can be fun, exciting and fulfilling too?

I look forward to an interview where the writer, when asked about their approach to their craft, says: "I write for the joy of it."

For me, it all comes down to these basics, in the form of a handy cut-out-and-keep reminder:

We, as writers, can only really control three things: How we write, how we edit, and where we choose to submit our work. We have to let go and accept that everything else is in the lap of the Gods, while doing the things we can extremely well.

* A post inspired by a recent weekend where three novel rejections arrived together, like mournful buses! 

Debut novel up for US book critics award

Strictly Writing catches up with Northern Ireland journalist and author Anthony Quinn

A DETECTIVE thriller written by Northern Ireland journalist Anthony Quinn has been selected as one of the five best debut novels of 2012 by book critics from the LA Times, The Washington Post, The Guardian, The San Francisco Chronicle and other daily newspapers.

Disappeared, which is set along the Lough Neagh shore in the aftermath of the Troubles, has been nominated for the Strand Critics Debut Novel Award, the only crime fiction award to be judged solely by book critics. Previous nominees for a Strand award include Stieg Larsson, Lee Child, PD James and Michael Connelly.

The awards, which recognise excellence in the field of mystery fiction, will be presented at an invitation-only cocktail party, hosted by The Strand in New York on July 9.

It is not just Disappeared’s tightly plotted story which has resonated with US audiences but also its moody scene-setting and ‘powerful’ prose.

Reviewers have praised the novel for its ‘powerful mood-enhancing prose’; ‘its convincing tightly-plotted story’; its ‘lavish portrayal of Irish history’ and ‘the ratcheting up of tension as the yarn progresses’.

Anthony has written a number of short stories which have been shortlisted for Hennessy Irish Fiction Awards, but this is his first novel. The idea for the thriller came from a single image of an elderly man burdened by his past wandering across windswept bogland.

“I wanted to write a novel about the past coming back to haunt a group of men caught up in the Troubles”, he said.
“The image of a confused old man struggling to remember a bad deed buried in the past with a desperate sense of urgency stayed with me. I wanted to know what drove him on and what lay waiting for him in this remote landscape.”
The book begins when Inspector Celsius Daly is called to a rural home in the lough-shore area, from which David Hughes, an elderly gent afflicted with Alzheimer’s disease, has lately vanished.

Hughes’ sister and caretaker fears he has wandered off and into trouble. But as the inspector investigates, he discovers that Hughes isn’t the quiet country putterer he seems. Instead, he’s part of a larger and much more complicated story connected to the long-ago slaying (by the Irish Republican Army) of an alleged political informer, Oliver Jordan, and the more recent torture murder of an ex-intelligence agent.

The fact that said agent placed his own obituary in a local newspaper, prior to his death, makes this whole affair particularly bizarre. Daly - a detective still wrestling with a recent separation from his wife and more capable at his job than at handling his personal life - adds further to the stakes in this mystery by inviting Jordan’s answers-seeking son into the case. It soon becomes apparent that the missing Hughes harbours secrets in his deteriorating mind that others don’t wish to see released.


You can purchase Anthony's novel on Amazon and other selected outlets.

WINNER WINNER

The winner of our book competition is Vivien - please could you contact Gillian at gfmcdade [at] hotmail. com with your address. Congratulations!

Interview with Deborah Durbin

Freelance writer, journalist and author Deborah Durbin has taken time out from her busy schedule to chat to 'Strictly' about her career and her new book So You Want To Be A Freelance Writer, which is out today (March 29)

Q: WHEN AND WHY DID YOU BECOME A FREELANCE WRITER?
A: Up until I had my second daughter I pretty much flitted from one job to another – I don’t much like working for other people because it’s always in the back of my head that they are earning more money than me! When my second daughter was born I decided I wanted to work for myself, so enrolled with the London College of Journalism and took a diploma with them. Once I had qualified I started out submitting articles to local newspapers and then to magazines. That was almost 17 years ago and I haven’t stopped.

Q: YOU ALSO WRITE NOVELS, SO WHAT IS YOUR FAVOURITE TYPE OF WRITING?
A: Because I trained as a journalist, journalism writing is what I’m best at. I love the whole process of researching a subject that I know nothing about, interviewing people and submitting. I also love pitching to editors. It’s almost like having a challenge every day – will they accept, won’t they? Having said that I have had two novels published which have both been in the Amazon top ten and I enjoyed writing these enormously. It’s a lot harder for a non-fiction writer to change their style to fiction, because in journalism every word must count and you’re trained to write short and sharp copy to tight deadlines. You have more space and time to work on a novel, but this can often be more of a hindrance.

Q: WHY THE FREELANCE BOOK?
A: So You Want To Be A Freelance Writer is based on my years and experience of working in the industry and details not only what to do, but most importantly, what not to do if you want to become a freelance writer. The reason I wrote it was because so many people have asked me for advice on what to do when they start out, that I thought I would jot down what I had learned in the form of a blog. This was then picked up by Compass Books and turned into a handy pop-in-the-handbag paperback.

Q: IS THE BOOK SUITABLE FOR SOMEONE JUST STARTING OUT?
A: It certainly is. So You Want To Be A Freelance Writer covers everything from starting with the basics such as writing reader’s letters to learning how to pitch correctly and how to get a book deal. All the information has come from my own experience, whether it’s submitting an article to a magazine or persuading a publisher to publish your book. It also details the mysterious world that is the publishing industry.

Q: WHY ARE YOU QUALIFIED TO WRITE SUCH A BOOK?
A: I’ve written for most of the women’s national magazines and newspapers in the UK and the States – from The Sun to The New Scientist and everything in between. I have also had 13 books traditionally published and although I have had agents, I have secured all my own publishing contracts, including foreign rights. Writing is my full time job.

Q: WILL THE BOOK HELP PEOPLE GET PUBLISHED?
A: Yes. Everything within the book is from my own experience, so if you follow the advice in the book you stand every chance of getting published, whether that be in newspapers, magazines or books. I explain in the book that getting paid for your writing depends on a lot of different factors, such as an editor might have already run a similar piece, or be holding one in stock etc, and that very often it is a numbers game, but if you know how to approach a commissioning editor, you’ve won half the battle.

Q: WHAT WAS YOUR FIRST BIG BREAK?
A: My first published piece was a reader’s letter for a parenting magazine. This led to me being commissioned for an article with the same magazine and then my first book. Once I had something to show editors that I could write to a publishable standard, my career really took off.

Q: WHERE DO YOU WRITE?
A: In the attic! It’s not as bad as it sounds! Our attic is a fully functioning bedroom and office. I have to have either the TV or the radio on when I work. I don’t like to work in silence. I have two white regency style desks; one with my laptop on and the other with magazines, newspapers, clippings, printer, a tub of Twiglets and a tin of Quality Street on it. I also have a mini fridge in the corner of the room, filled with chocolate and soft drinks – it’s a long way down to the kitchen!

Q: WHERE DO YOU GET YOUR INSPIRATION FROM?
A: All sorts of places. I tend to specialise in mind, body and spirit or health and wellbeing features because those subjects interest me, so I’m always reading about them. Having said that, one day I had written features about cell regeneration, white magic, the function of the kidney and dating for the over 50’s, so there are a lot of subjects that interest me and if I think I can make them interesting to a reader and get a commission then I will write about them.

Deborah Durbin’s new book, So You Want To Be A Freelance Writer, is out on 29th March. You can find her at www.deborahdurbin.com or blogging at http://soyouwanttobeafreelancewriter.blogspot.co.uk/

We have one copy to give away to one blog reader - all you have to do is leave a comment below and we will pick one at random.

Ways in which...

From the annals of www.alongthewritelines.blogspot.com

Flexibility will only get you so far...

Ways in which I've made a tit* out of myself as a writer (in no particular order).

1. Waiting one year, three months and 16 days to get a reply from a publisher. Mercifully, not an exclusive submission, but why, why, why did I bother?

2. Using the phrase, 'Yours ethically,' to a client (who freaked a little and went elsewhere).

3. Making a flippant comment to an agent after waiting an extra week to hear about a writing competition, only to hear that the reason my email had been delayed was that I'd been shortlisted. I didn't win, which arguably is karma.

4. Not asking, up front, what the rate was per word, and then having to listen to a load of pony about what a great opportunity it will be for me in the long-term. That is, once I'd learned to go without food.

5. Writing at a rate per word where, ordinarily, outside the writing world, you'd be searching the job ads during your teabreak.

6. Taking FOREVER to take the plunge and self-publish my own novel. I mean, seriously, what IS the worst that could happen? Nobody buys and reads it? Shit, that's the situation if it isn't published. I lose a little money on it? Big deal - as long as I learn something. To be filed under 'don't be a wuss'. 

7. Letting two payment deadlines go by before issuing a client with a take down notice. (If I just love them even more, maybe they'll change...).

8. Agreeing to exclusive electronic rights for two years, which is the approximate lifepsan of a mosquito fish. Just in case you were wondering.

9. While attending a writing course in London, after work, the tutor snootily asked me to define my work for the benefit of him and the class. I explained that the essence of the novel (see, I can do snooty, too) was that the plot mattered more than the individual characters. 

"Ah, he nodded sagely, you've obviously read a great deal of Chekhov." 

"No," I replied, "but I've watched all his appearances in Star Trek." Phasers on pun.

10. Admitting all the above in a blog post.

* Bearded, in my case, today. 

Difficult Second Album Syndrome

So, regular readers of this blog will know that last year I published a book, Dark Dates. It wasn’t a good fit for my previous publisher and I struggled to find an agent, so I thought, sod it, I’ll publish myself, and see what people say. Self-publishing has been a steep learning curve: it’s way more work than you imagine going in (although I’ve also found it more rewarding than I could have imagined) but the problem with publishing something yourself is you haven’t gone through the quality control procedure of agent-publisher-editor: there’s constantly the nagging worry in the back of your mind, the little voice saying, ‘c’mon, if this was really any good someone would publish it for you’.

Some bloggers were really kind...

So when the reviews start coming in, you pay more attention than is healthy to what people say. I’ve been very lucky with Dark Dates – the reaction has been almost overwhelmingly positive. Of course, I’d like more people to have read it (it’s still incredibly difficult to get coverage for an indie book) but those who have, have tended to love it. I’ve been blown away by the feedback I’ve got – just this week I got another rave review from Indies R Us and was selected as Book of the Month at the TBR Pile, and I also made a couple of bloggers’ ‘Top 10 of 2012’ lists. It was exciting, and thrilling, and exactly what I wanted – the fact that people actually talked about my characters, had opinions about them, cared about them: this was the very thing I got into writing for.

See? Actual nice quote by person I don't know

 

Then I had to write the sequel, and suddenly The Fear struck. What if it sucked? Lots of people said the first book was funny: the second book was darker, but I thought it still had a nice streak of humour in it – but what if it wasn’t enough? I found myself scouring the text to see if I could put in jokes (I didn’t, in the end, because I find that kind of writing tiresome, but Lord, the temptation was there). There’s more sex in this one: is it too sexy? Will people still like the characters? Will they feel let down? Suddenly all I could see in my head was a stream of reviews from people saying how disappointed they were – and the fact that I connect with a load of bloggers via social media means I’d be unable to hide from their scorn. Maybe I should just leave Dark Dates alone, treat it as a success and then move onto something completely different? It’s ridiculous given that my readers probably only number into the hundreds that I was working myself into such a state – how do properly famous writers do it? No wonder George RR Martin always seems a bit grumpy.

Fingers crossed...

 

In the end, of course, it boiled down to what it always does: having faith in the writing. When it comes down to it, I love these characters, and I’d write about them even if I was the only one who got to read the stories. They’re under my skin now and they aren’t going anywhere.

I sent the book, Wolf Night, to my beta readers who all came back with great feedback – but, importantly, also with comments on what didn’t work, and what needed to be made better (it’s good to have cheerleaders, but you also need people to be honest, especially when you don’t have the safety net of an agent or editor).

And so, after a lot of agonising, the book is out there. I’m trying to tell myself not to read reviews this time around (I can still quote the bad ones from Dark Dates) but I suspect I’ll fall at the first hurdle on that one – it really does matter to me that people like it, and don’t feel I’ve let them down. But I know it’s the best I could make it, and I know I’ve been true to the characters – and that’s all I can do, I guess. Anyway, I’m off to write the sequel now…

You can follow Dark Dates at darkdates.org