Showing posts with label Nicola Morgan. Show all posts
Showing posts with label Nicola Morgan. Show all posts

Nicola Morgan's in the Chair

I'm no Jeremy Paxman, but I do love the opportunity to hobnob* with other writers and to see what makes them tick. Lately, as my terrible poetry will attest, I've been a regular visitor to Nicola Morgan's blog HELP! I NEED A PUBLISHER! and now I've gone a stage further. Despite having 102 things to do, Nicola has made some time to join me in the SW virtual chill-out room (think chintz). Asterisks in red refer to my dumb comments at the end.


Hi Nicola, you write on a number of topics / genres - how do you prioritise your different writing?  

I’m an opportunist with very little in the way of strategy. I have ideas and act on them, often without thinking ahead. Somehow it all pans out and every deadline ends up being met, however stressful and impossible that seems at the start. Essentially, I do it crazily, energetically and frantically.

I have one muse only: the reader. If I want to write something and I think some people want to read it, those (possibly imaginary!) readers inspire me to do it.

What do you wish you'd known at the beginning that you've since learned about the craft of writing?

Nothing. I’ve enjoyed learning it as I go. The main thing I didn’t know was that it doesn’t get easier, but if I’d known that it wouldn’t have helped, would it? However, there are some things I wish I’d known about how to submit my MS – I still blush at the thought of some of my terrible attempts at getting attention.** Like the one where I wrote the covering letter in verse. In different coloured pens… I also wish I’d understood the publishing business better. Well, at all, really!

You're stuck on a direct flight to Australia. Which books do you take along? (We'll assume the writing pad is a given!)

I’d take the next book on my To Be Read pile, which happens to be The Yips by Nicola Barker; the one I’m reading at the moment, Far To Go by Alison Pick; and whatever Chris Cleave is going to write next.

Was there a defining moment when you saw yourself as a 'professional'? 

Interesting question! No. I’ve never thought about that so there can’t have been. But if I look back now and try to work it out, I still can’t find an answer. It’s a difficult word, isn’t it? Does it mean “doing it for a living?” Well, I still don’t earn a living from my writing, though I just about do from the adjuncts to it (public speaking, mostly). Or does it mean “people will pay me to do what I do” – well, I earned something from Reader’s Digest for a paragraph years before I “became published” as an author. I suppose the defining moments were getting my first non-fiction published (the still best-selling I Can Learn series from Egmont) or my first novel (Mondays are Red, Hodder Children’s 2001 and now an ebook). But I’d been earning something as a magazine features writer before both those. So, I don’t know!

We're in an elevator***, going up to the fourteenth floor. What's your pitch for Dear Agent?

You mean I’m talking to an agent/publisher? This: “You know how you often get badly-worded, delusional, wacky, dull or disappointing submissions? You know how writers sometimes send you peculiar and unwanted “wee extras”, such as naked photos or toffees? Well, Dear Agent will put an end to all that.” I don’t need fourteen floors. Unless the lift is faster than Usain Bolt.

What do you do for relaxation? 

Cook elaborate meals for friends, garden, read, indulge in a candlelit heavily scented bath, chat to my friends on Twitter or at a dinner party with good people who have left their egos at home.

Three parts of the UK you'd like to visit, and why?

They are all places I’ve been to already many times but I would jump at the chance to visit again: 1. The Black Isle (an almost-island not far from Inverness) because it’s rustic and yet civilized and you can see whales and dolphins while standing on the beach at Rosemarkie and buy the best pottery in Scotland in Cromarty. 2. Watergate Bay**** in Cornwall, because it’s my favourite beach in the UK and we discovered it before anyone else, especially Jamie Oliver. 3. Cambridge, because it doesn’t need an explanation.

Where can we purchase Dear Agent and what's this special deal that's being whispered around the web?

I will be publishing it to Amazon (for Kindle and Kindle apps for computers, phones etc) and Lulu (for non-Kindle reading devices or reading on your computer with Adobe Digital Editions). All the links will be on the dedicated webpage. Amazon links will appear by Friday 10th Aug and Lulu as soon as possible afterwards.

Um, special deal? You mean the cheap-as-chips intro price? You’ll have to hurry – it’s going to end on Monday! But even after that it’s going to be under £3 and I think it’s good value. There’s masses of info in it (and WAGSynopsis). Also, if there’s anything you still want to ask after reading them, just email Dear Crabbit (see here for details) and I’ll answer it on my blog.

Thank you for interviewing me for Strictly Writing and huge good luck to all of you!

"Like satnav for writers."


Don’t forget: Dear Agent deals with everything to do with the covering letter (or query letter, as it’s called in the US) and Write a Great Synopsis deals with erm, writing a great synopsis. Suddenly, the whole submission is explained clearly, succinctly and reassuringly!

Merric Davidson, formerly a top agent and now the publisher of The New Writer, saidThis is a tightly written, easy to follow, essential volume which cuts through all the nonsense and mystique about what you should/should not do when approaching agencies. In fact, this book explains that, hey, agents are really just people, not godheads!”


* Other chocolate biscuits are available.
** I once sent an agent a bar of chocolate, albeit after I received feedback.
*** Yes. I know it's really a lift, but come on, whoever heard of a 'life pitch'?
**** Other parts of the Cornish coastline are available, such as Portherris or Nanjizal.


What am I doing?

A wee sleekie beastie

Editing my novel Covenant is both a joy and a burden. It must be a little like competing in an Olympic event and knowing that you can't win the gold. Not unless they award it for the most flagrant, abuse, of commas. 

And, as it'll be a self-published work, I already know that quality control will be spelt with a small 'q'. Or possibly a 'kw'. Not for want of trying, you understanding, but - like Dirty Harry said - a man's got to know his limitations.

I take a break from strimming back chapter five and make myself some crackers. And when I say 'make' I mean remove them from the packet and put butter on them. I know - lunch for dummies.

Anne has seen me in this frame of mind enough times not to rise to the bait. "How's it going?" is about the most she'll intrude into my private battleground.

However, eager for distraction, I ask her which three things she dislikes about living with a writer and which three things (from the many!) she likes the best.

And I quote...

Dislikes

1. That I spent so much time up there in the attic, immersed in my own world.

2. That financial stability is just another fictional character in my creative repertoire.

3. That I can be a moody sod (to be fair, that's more me than the writing). If the writing has reached a stodgy patch there's no moving me back into the real world. Whereas, if things are going well, I'm like a child who has eaten three candyflosses (never try this at home) and then been given a quad bike to play with. In the house.

Likes

1. It's nice that she has time to herself, to do her own creative things.

2. I sometimes have free time during the day, when the weather is good. That is, if she can prise me from the screen (see good days and bad days above). And she certainly sees more of me than my days in proj man when I spent far more waking hours at my desk than away from it (I probably still have a spreadsheet on that, somewhere.)

3. Erm...that's about it. Seriously. She couldn't come up with a third item. Methinks this is not a good sign.


As the great Rabbie Burns* said in his poem, To a Louse:
O would some power the giftie gie us to see ourselves as others see us.

Sometimes the writer's life doesn't feel real to me. And that's regardless on whether I'm experiencing success or defeat. We create in isolation and the editing process is also a solo affair until we get an editor on board. 

It helps to remember, sometimes, that there is more to us than writing. And while we benefit from all the virtual and actual writing groups and communities out there, it's important to place writing in the wider context of a life well lived.

And even once we get our work out there there are challenges aplenty. Nicola Morgan, in her oft-visited blog, Help! I Need a Publisher! pretty much nails it for me in this blog post about where she draws the line regarding book promotion:



So, what keeps your feet safely on the ground and which line won't you cross?


* Anne is Scottish so it seemed only fitting.

The slushpile



I’m very chuffed to be able to introduce Nicola Morgan onto this great blog to talk about her new ebook, Write a Great Synopsis: An Expert Guide. Hopefully it will help readers here as much as it’s helped me!

Hello, Strictly Writing readers and thanks for hosting me on the Write a Great Synopsis (WAGS) blog tour.

I have always liked writing synopses and I hadn’t realised what a problem writers had with them until so many people started angsting about it. Many of the questions I get are about how to write this thing that seems to me to be the simplest part of a writer’s work. So, that’s what Write a Great Synopsis is about. I aim to solve the problems and make the task simple and stressfree.

The WAGS blog tour consists of a mix of interviews and extracts. It’s an extract that I thought I’d offer you today. And there’s a competition, too – with prizes of synopsis critiques!

One of the crucial things that writers find most difficult is knowing what to leave out of a synopsis. My extract below consists of two analogies that help you visualise the answer to this.

(Reproduced from Write a Great Synopsis – An Expert Guide)

The synopsis as a journey
Here is a way of thinking that I find useful. Imagine your synopsis as a journey. This is what we need to know:
1. Who is on the journey and why?
2. What is the intended destination and why?
3. What terrible thing will happen if they don’t reach their destination and who or what is trying to stop them?
4. What happens to knock the travellers off course?
5. What characteristics and tools do they use to get back on course?
6. What is their actual destination and who survives and with what injuries?

Here’s what we do NOT need to know:
1. The detours they took along the way.
2. The weather.
3. What they had for their picnic.
4. What they said to each other.
5. What the scenery was like.
6. The route in order.
7. The people they met on the journey, unless one of them is an axe-murderer or someone equally useful.

The synopsis as a healthy human
This is my other analogy. If your synopsis were a human, in order to see that the human is alive and strong we would need to see the healthy glow of the skin and that it is supported by a strong skeleton. We don’t actually see the skeleton, but we know it’s all there. We don’t need to see that the organs are all present and working – that’s obvious from the healthy glow of the skin and the light shining from the eyes. We do need to see the feet: the end of the story. A synopsis without an end is like a human without feet.
(Extract ends)

Analogies never present the whole picture but they are often a good start, offering a visual element to boost understanding of the rest of the argument. Write a Great Synopsis covers everything about synopsis-writing, clearly and reassuringly. At the end of it I believe you truly will say to yourself, “Don’t panic – it’s only a synopsis!” That is my aim.

All commenters below (by Feb 15th) will be entered into the Big WAGS Competition, with chances to win a critique of your synopsis by the Crabbit Old Bat herself! One comment per person on each blog – though you can add to your chances by commenting on the other posts on the tour. Details of all stops on the tour will appear on Help! I Need a Publisher! as they go out.

Thank you for listening and I do hope I can help you write a great synopsis! For details about the book, including buying options, go here.

Happy Blogging Birthday, Nicola!





Happy First Birthday to the crabbit old bat's - aka Nicola Morgan's - blog!


If you haven't been there before, go visit her hilarious, yet highly informative, Help I Need a Publisher! blog - you may learn a thing or two!


Health warning: it ain't for the faint-hearted!! But if you are a struggling, aspiring writer, you might just learn where you are going wrong.












Many congrats, Nicola.