Debut Author Paula Daly tells us how Stephen King gave her the drive to write a book that created a bidding war!

Paula Daly's debut novel, the gripping crime thriller "Just What Kind of Mother Are You"  is the reason there has been no sleep, little cooking and NO ironing in our house recently.  And you have only to read all the Five Star reviews on Amazon to know that I'm not the only one.

The story strikes a chord and fear into mothers the world over; your daughter's friend is missing and you were the one who was supposed to be looking after her. "Un-put-downable" doesn't do it justice.

So... I can't tell you how stupidly excited I am to be introducing our Guest Author today.... and here Paula reveals what every aspiring author is desperate to know... how did it happen?  How did you arrive at the Station called Success?

"You know the saying – you should only write if you cannot live without writing? Well, that wasn’t me. I belonged to the group of perhaps millions of people who longed to be writers so they could give up the day job.

What could be better than sitting by the fire on a cold, wet February afternoon being paid to make up stories?

Trouble was, I had no idea how to write. Or even how to start. I didn’t have anything to say, and wouldn’t have known how to say it even if I did. I had not studied English since I was sixteen, I was a physiotherapist, and I wasn’t even certain how to punctuate dialogue correctly. 

Then my friend called and said she was reading StephenKing’s book ‘On Writing’. She told me to read it, which I did, and the next day I started writing. His book gave me the confidence to just give it a go and write anything that came into my head. Suddenly I found I had more than enough to say. In fact, I couldn’t stop. I had paper all over the house and wrote whenever my youngest child would allow.

After around six weeks of short stories I felt ready to tackle a novel. No idea what I was doing - I thought I’d start writing and see what came out.

What came out was a rather silly, frivolous psychological thriller. Not good enough to be published, but good enough to attract the attention of an agent who said, “We don’t want this. Write your next novel and we’ll see how you do.” I tried telling her I didn’t really know what I was doing, that I didn’t know HOW to put a novel together, but she assured me I could do it.

That next novel was turned down by all major publishers. A near miss, they said, but deep down I knew it wasn’t good enough. Writing is a skill that takes time to learn. I was fully prepared for it to take the same amount of time as a degree course - my reasoning being that I was retraining for a job, and any skilled profession takes at least 3 to 4 years of full time study.

Eventually, I struck lucky. JUST WHAT KIND OF MOTHER ARE YOU? came together once I found a great premise and figured out my characters’ motivation. Once submitted it prompted a bidding war between six major publishers and to date has sold in eleven territories.

I’m still not sure I know what I’m doing, but at least now I realise neither does anybody else."

Thanks for stopping by Strictly Writing, Paula.  We all wish you every continued and deserved success with 'Just What Kind of Mother Are You' and I for one cannot wait for the next book!

Guest Blog by Roger Morris - The Surrealism of Detective Fiction

I'm reading, on and off, an anthology of American Detective Stories. It has some authors I've heard of, including Raymond Chandler, Ed McBain, Sue Grafton and William Faulkner (yes, that William Faulkner!) and many I hadn't. Clinton H. Stagg is of the latter group. His story, The Keyboard of Silence (1923), features - wait for it - a blind detective.

Reading the story has convinced me of a long-standing thesis of mine: detective fiction is actually a branch of surrealism.

To quote one joyously surreal passage: ‘“One often wonders,” continued Colton [the blind detective] ... “why a stout woman, like that one two tables to our left, for instance, will suffer the tortures of her hereafter for the sake of drinking high balls in a tight, purple gown.”’
His assistant is understandably amazed. But as the blind detective explains, ‘”All stout women who breathe asthmatically wear purple. It is the only unfailing rule of femininity. And to one who has practised the art of locating sounds that come to doubly sharp ears the breathing part was easy.”’ And so on.

Stagg (who sadly died at the age of 26) was parodied by no less than Agatha Christie for his lack of realism. But I can’t help feeling Agatha is missing the point. The point is not that it’s unrealistic. The point is it’s fun.

Another surrealist masquerading as a detective writer is G.K. Chesterton, whose Father Brown stories I am also dipping in and out of at the moment. Chesterton was a master of the ‘impossible crime’, and an unashamed exponent of the puzzle story. In fact, back then, in the Golden Age of detective fiction, there was no shame in writing stories that were primarily literary puzzles.
Much of the surrealism of the Chesterton stories is tied up in the solution of the crime, which often pushes plausibility to the limit. Well, beyond it, if we’re honest. I can’t give you any specifics, because I would be giving away the endings, but it’s hard to beat ‘The Secret Garden’ for the sheer audacity and outrageousness of its denouement.

The surrealists themselves were fans of pulp crime fiction, most notably the Fantômas series of novels by Souvestre and Allain. The fascination shows in Magritte’s 1926 painting The Menaced Assassin. A woman lies naked on a chaise longue, blood streaming from her mouth. A man, presumably her murderer, listens to a gramophone. His overcoat and hat are on a chair, with a suitcase on the floor. Two men in lie in wait for him on either side of the doorway, one holding a net, the other a club. At the window behind him, three heads are shown peering into the room. It was that painting, and the desire to write the story it suggests, that inspired me to take up crime writing in the first place.

How will Fantômas escape? Answers on a postcard – or in a blog comment.

Detective stories link: http://www.amazon.co.uk/Oxford-Book-American-Detective-Stories/dp/0195117921/ref=sr_1_1?ie=UTF8&s=books&qid=1239207912&sr=1-1
Father Brown link: http://www.penguin.co.uk/nf/Book/BookDisplay/0,,9780140097665,00.html
Reference for Magritte painting: http://robertarood.files.wordpress.com/2008/05/the_menaced_assassin.jpg

Roger Morris lives in North London and is the author of a series of historical crime novels featuring Porfiry Petrovich, the detective from Dostoevsky's novel Crime and Punishment. In fact today sees the publication of the US Penguin paperback of the second book in this series, A Vengeful Longing. To find out more about his successful writing career visit his website or blog.