Showing posts with label coffee. Show all posts
Showing posts with label coffee. Show all posts

Where do you do it?


What does a coffee shop, bed, a living room, a library and a garden have in common? No, it’s not a joke, it’s actually a list of possible answers to a question we often ask our guest bloggers. Where do you write?

Recently, you got a glimpse into our own writing spaces, compiled by Fi, and we had a range of interesting responses.

It’s one that has me puzzled because in my opinion, there’s only one answer. I mean, to put it simply, I can’t write anywhere other than my own house. If I try to write in public, I get the feeling I’m being watched and it’s incredibly distracting. Take the library for example – I’m sitting at the table with my laptop and Mrs Jones comes in and says hello to the librarian behind the desk, Mrs Pettigrew.
‘How’s young Johnny?’ she asks her.
‘Not too good. I just can’t believe what happened.’
‘Well, give him my best wishes. Hopefully he’ll pull through soon.’
A solemn faced Mrs Pettigrew takes the books off her and thanks her.
Then I wonder what has happened to young Johnny. Has he been in a car accident or did he fall down a well on a farm? I wonder if he has banged his head in the playground or if he has measles. Or a life-threatening illness. I hope not.

This diverts my attention away from what I’m supposed to be doing – working on my WIP. Then I notice the guy at the desk beside me has logged onto crazypeople dot com or something like that, devoted to Doomsday followers. He leaves a message saying the end of the world is tonight, and I wonder if he’s right. His ear lobe is cluttered with rings, about ten or twelve, and he has a skull tattoo, a really angry looking one. The face is coloured in. It’s red and orange. He clenches his fist as he types with one finger, then he logs off and leaves the library. Next to the chair is Ronnie who is applying for a job as a taxidermist, but after keying in all his information online, the form fails to go through. He gets up, kicks the desk, then composes himself. He then starts to browse through the other job vacancies and stops at ‘beauty therapist required for top salon.’

Or picture this – I’m in Starbucks with my laptop and Betty and Bertha sit down beside me. They’re a larger than life duo and they eagerly tuck into their Verry Berry scones and apple and cinnamon pies, to be washed down with double Caramel Macchiatos. They really shouldn’t be here. I wish they’d bought healthy salads instead.

Betty starts talking about her forthcoming weight loss surgery and I wonder why the pair are not at the village hall attending Weightwatchers. They talk about Stanley and Herbert, who I assume are their significant others. Stanley has just been made redundant, having worked at Wally’s Engineering Works for the past forty years. He’s at a loose end, says Betty. Betty and Bertha make for a comedic pair and I can visualise them having cameo roles in my next book.

Of course, all these vignettes give me ideas and ideas are good when you’re writing a work of fiction. But as a caveat, it’s distracting when you have your whole book planned out and you don’t need any more scenes or walk on characters. More importantly, I don’t like to be the subject of someone else’s curiosity.

‘I wonder what she’s doing,’ whispers Betty.
‘I’m writing a book,’ I say, logging off and slamming the laptop lid shut.
‘Oh, that’s great, dear. I tried to write a book once about my arthritis.’
I roll my eyes and leave for home.

Where do you write? I’m interested to know if you find it distracting? Do you feel you are being watched? Or can you work as you would at home? Just curious. I hate tea and coffee anyway.

Guest Blog by Laura Nelson - Inspiration haven




I have found my favourite place. My favourite place for writing. I am a geek as well as a writing freak; my dream place is the British Library. I march through the swing doors, laptop under my arm, the dark red building towering above me, and I walk through to the café to buy myself a cappuccino. I take a seat under the high glass book cabinets – the gold font on the book spines gleaming under the spotlights – and prepare myself to write.

Rather, I take a seat and I start listening to other people’s conversations. Or I look around: what is everyone else doing here? What is their purpose? The British Library café is a magnet for people with their own stories. They come here with business proposals. They come here to chat about university life. They come here to browse the free internet on their Apple Macs.

They come here to write, too. The pens are poised, fingers are tapping on keyboards. Chins are being scratched, hair strands are twisted. Heads are looking around; eyes meeting over the tops of cups, corners of laptops and the dog-eared edges of spiral-bound notebooks.

And the tension is magical. It helps me to work. I think: if they are all writing novels, then I can too. And so too do my fingers start to scamper across my keyboard, and words appear on the blank page. If I’m short of inspiration, I needn’t worry – I glance up and encounter another erudite conversation or obscure dialogue; a discussion about state-of-the-art clothes design or a negotiation of a freelance copy-editor’s contract.

There are plenty of distractions – just what a writer needs. Rows of antique books on the high shelves, lofty ceilings and tall white pillars. People on the balconies passing to and fro the reading rooms with their transparent plastic carrier bags. (What have they been researching?) There’s the tap-tap of computer keys, the clinking of the cutlery and the babble of voices.

There are unusual characters with unusual stories. A serious-looking youth glances up and asks me if I remember the words of that nursery rhyme: ‘This little piggy went to market…’. A brown-suited moustached man approaches me; he wants to know if I will visit him in his 50s-style tea shop in Bethnal Green.

Talking of tea, there’s limitless supply. And coffee. The smell of coffee infiltrates the atmosphere, stimulating the imagination and loosening the finger joints as they hover over the keyboard. A trip to the café counter offers the chance to have a break (needed frequently), replenish the body with caffeine (the writer’s drug) and – as my seat has inevitably been taken by the time I return to it – swap seats (a welcome change).

The café also caters for the calorie-hungry writer’s brain. Names of food items seem to be conceived with the novelist in mind. ‘Fallen chocolate cake’, for example – it’s food my protagonist may eat as she finds her dreams disappearing and her hopes sinking; the nadir of my novel. Tasting it, I imagine feeling ‘fallen’ myself. I scurry back to a table, crack open the laptop and – in haste – write the scene of my heroine’s downfall before the magic begins to wear off.

*
Laura Nelson has a short story published in the next issue of Decongested Tales.
Her short stories have appeared in the literary magazine Litro and here and in the science magazine Nature. She recently completed her first novel, Zebra Dance, wrote a guest blog here about finishing it and has just begun her own blog

Quickfire Questions with... Camilla Bolton - Darley Anderson Agency




Camilla Bolton joined Darley Anderson Agency in August 2007. She is an Associate Agent for Crime and Thriller fiction, having formerly been in newspaper journalism.


Which 3 authors, dead or alive, would you invite to dinner?
Stephen King, Roald Dahl and Maeve Binchy.

Email or phone?
Phone definitely as I’m not the best at spelling or grammar.

Cosy crime – passé or popular?
Good page-turning cosy crime will return, especially with authors like Alexander McCall Smith re-inventing it with a unique twist. So I’d say it’s zoomed past passé and is heading for popularity.

An author should always…Look at every word they write and make sure it’s 100% necessary. Excess words slow pace, stop stories and potentially bore readers.

Favourite desktop snack?
Coffee

Cliffhanger or reveal-all ending?
Reveal-all ending as I hate not knowing something.

You really must read…
Killing Floor by Lee Child.

Dan Brown is…
A great story teller and huge commercial success.

Daily Mail or The Times?
I’m very ashamed to confess that I rarely buy papers, I always intend to but never quite make it. Sadly I spend my time reading crime and thriller books.

Crime fiction is literary when…
It takes 5 pages to say what a commercial novel could manage in a paragraph. I know, it sounds a bit extreme, but literary crime fiction relies on words as well as plot and consequently the pace will be a lot slower.


Thanks, Camilla! And it's admirable that your only desktop snack is a cup of coffee!