Passion Projects

As any creative artist can tell you, the muse comes in many different guises and you never know where or when or even how inspiration will strike. I’m a novelist and short story writer so words are my thing, but I've never been entirely sure whether my writing is what you'd call art.  I do write a lot though!

In 2015 I signed a five-book deal with Joffe Books for a Brit spy series featuring Thomas Bladen, a Surveillance Officer on the lowest rungs of British Intelligence. In 2018 the fifth and final book came out and that was going to be the end of Thomas's adventures. In 2020 Joffe Books produced a box set of THE COMPLETE THOMAS BLADEN THRILLERS to round it off.

I then began a new crime mystery series for Joffe Books, starring Detective Craig Wild. New characters, new set-up. LONG SHADOWS debuted in 2020 and WEST COUNTRY MURDER followed in 2022. I’m currently wrestling with the plot for a third book.

But…sometimes old characters refuse to fade away and they return to us with new ideas and adventures, long after we thought they’d gone. PATHFINDER is one such story and follows on from FLASHPOINT (published in 2018, remember!).

The muse presented me with a compelling premise and the seed was a single question:

What if people started dying because of a secret no one else was supposed to know?

Weirdly, although I completed it this year, PATHFINDER picks up right after where FLASHPOINT ended. No spoilers here but there’s a major event in Book 5 that has dire consequences in Book 6.

As far as my publisher was concerned, the original series was done and dusted, but they encouraged me to try other options if I wanted. After contacting a couple of other publishers, without success, I spoke with a good friend and fellow writer and he nudged me towards self-publishing.

The last time I self-pubbed a novel was back in 2012, so it has been a bit of a learning curve. This time I brought in expertise for the cover design and final formatting at the outset. I am very pelased with the results.

I don't know whether PATHFINDER will make any money or climb the Amazon charts. I hope so, but that wasn't my main motivation. I simply believed in the book and wrote it for the people who loved the series. You could say that's when I knew it was art after all!

Derek

PATHFINDER

Surveillance Officer Thomas Bladen is back and he’s a man on a mission. 

THE SHADOW STATE AND THE ALLIANCE HAVE BEEN AT WAR FOR DECADES.

After seven dissidents meet to try and end the deadlock, they think their secret is safe.

 

They’re wrong.

 

A near-miss on the London Underground is just the beginning for a contract killer with friends in high places. When no one else can be trusted, the fate of seven people rests with Thomas, who will learn the hard way about the price of loyalty and the cost of failure. The only rule is to stay alive.

UK: https://www.amazon.co.uk/gp/product/B0CBZ32YP6 

US: https://www.amazon.com/gp/product/B0CBZ32YP6 

 

 

 

Film Noir Feeds my Fiction

The rules have changed.

I’ve made no secret of the fact that Raymond Chandler’s writing is one of the inspirations for my Thomas Bladen spy thrillers, but I also owe a huge debt to cinema.  It’s my great pleasure now to introduce you to a back catalogue of films that remain classics of the spy / thriller genre. Many of them are derived from novels but for consistency I will only reference the films and I’ve added the IMDB links so you can read about the plot in more detail. I hope you find some old favourites here, as well as some ‘new’ classics to add to your own list.

We’ll come back to Raymond Chandler in a bit. First and foremost, I have to pay tribute to The 39 Steps, a tale of a man unwittingly drawn into a murderous conspiracy, who goes on the run to prove his innocence. I favour the 1935 version with Robert Donat and Madeleine Carroll, as well as a brilliant BBC version from 2008 (which includes elements from the novel that were left out of every other film). How much do I love The 39 Steps? Well, in Standpoint, Thomas watches the 1935 version with Miranda and comments on how Hitchcock changed the story from the novel. There’s also a homage to one of the film’s plot devices in Line of Sight, my follow-up to Standpoint. I put North by Northwest (1959) alongside The 39 Steps as another great example of a mistaken identity driving the plot forward. How do you win through when you don’t know what you’re supposed to know? I think it helps to have other people looking out for you from time to time.

The films Farewell My Lovely (1944), The Big Sleep (1946) and The Long Goodbye (1973) allow Raymond Chandler’s world-weary private detective, Philip Marlowe, to fill the screen; much like Bogart’s performance as Sam Spade in the Dashiell Hammett co-scripted adaptation of The Maltese Falcon. My original intention had been to write Thomas Bladen as a detective, only he arrived pretty much fully formed and had his own opinions about what he did for a living. What I love most about this batch of films is the dialogue and the characterisation. The plots are well-crafted but to me they are secondary. The ‘hero’ is flawed and his attitude is often more hindrance than help as he battles relentlessly against the tide. These films are gritty, sometimes sleazy and show the underbelly of society. Yet somehow, almost miraculously, the hero emerges with most of his honour intact. My fondness for this genre led to the creation of Leon Thurston, a West Indian private detective who plies his trade from an old minicab office in Dalston. East London. While we’re on the subject of Chandler, make time for The Blue Dahlia (1947) – it’s an intriguing whodunit that apparently involved a controversial rewritten ending…but you can research that for yourself! Like Alan Ladd’s Johnny Morrison, Thomas Bladen is a little out of steps with the world around him, but the right woman makes all the difference.

Spies yet? Well, almost. Vicious Circle (1957) finds a humble doctor (humble but with a cravat!) drawn into a deadly game of blackmail and intrigue that leads him questioning who is out to get him – and why? I’d put this one in the same category as The Man Who Knew Too Much (1934) and also (1956). Ordinary people in extraordinary times, who dig deep when they find themselves pawns in a much bigger game – much like Robert Hannay in The 39 Steps.

Both The Conversation (1974) and Enemy of the State (1998) tackle surveillance, paranoia and ethics, along with the perennial question of who watches the watchers. It is perennial too, as that phrase is as old as the Romans. In Thomas Bladen’s world, a simple surveillance job often turns out to be far more complicated and it doesn’t pay to ask too many questions (not that it stops him). The observer may seem impartial but they cannot deny there are consequences to their work. Three Days of the Condor (1975) pits one man against the ‘organisation’, by trying to stay one step ahead of everyone, in order to get to the truth and hold people in power accountable. By book five, Flashpoint, Thomas has learned that justice can take many forms and sometimes even a bitter compromise is the best option. The Third Man (1949) involves a mystery, a disappearing act with a difference and a conspiracy – how do you find out the truth when everyone is telling you something different? Its cunning and amoral titular character (compelling played by Orson Welles) dominates the film despite not being the main role. This group of films demonstrate another element that I wanted to bring to my books: unresolved endings. The moviegoer is left wondering what could happen afterwards.

I hope you’ll make time to watch all these films, even if you’ve seen them before.  

For those who enjoy extra homework, make time for:

The Long Memory (1953)

Rear Window (1954)

A Prize of Arms (1962)

Gilda (1946)

Build My Gallows High (1946)

In a Lonely Place (1946)

When not watching classic cinema, I write Thomas Bladen spy thrillers - intrigue, action and sardonic humour.

UK https://www.amazon.co.uk/Derek-Thompson/e/B0034ORY08

US https://www.amazon.com/Derek-Thompson/e/B0034ORY08

FLASHPOINT – Part Five of the Spy Chaser series

After London suffers a coordinated terror attack, Thomas Bladen questions everything – his future with Miranda, his Surveillance Support Unit job and even his clandestine role as a Spy Chaser.

But his troubles are just beginning.

When the Unit comes under MI5’s control and two senior SSU staff disappear, his search for answers is blocked at every turn.

A missing handgun and the reappearance of old adversaries forces him into uneasy alliances and hard choices.

-       Could there be a double agent in their latest assignment?

-       What is behind the rift between government departments?

-       And what if he has got it wrong this time?

Thomas must face his deepest fears and what he discovers could change the rules forever.

Amazon UK

Amazon US