Tuesday, 9 November 2010
Quickfire Questions with best-selling author Kate Long
Kate Long is the best selling author of The Bad Mother’s Handbook, published by Picador in 2004. The book was serialized on Radio 4, nominated for a British Book Award and made into an ITV drama starring Catherine Tate. Her other novels include Swallowing Grandma, Queen Mum, The Daughter Game and A Mother’s Guide to Cheating. Kate has had short stories published in Woman's Own, Woman and Home, The Sunday Express magazine and the Sunday Night Book Club anthology. She lives in Shropshire with her husband and two sons.
Which 3 writers, living or dead, would you invite to dinner?
I think it would have to be a selection of novelists who ignited my interest in reading as a child – say, A M Lightner (Star Dog), Joan G Robinson (When Marnie Was There), Elizabeth Goudge (The Little White Horse). I’d like to thank them for getting me started.
What's your favourite writing snack?
At the moment it’s chocolate raisins, but next week I’ll have moved on to something else. I’m very snack-fickle.
Longhand or computer?
Longhand for night time notes and for editing; straight onto screen for first drafts. How did we ever write before “find and replace”?
Win Booker prize or land Hollywood film deal?
I have to go with what looks least unlikely, which would be the film deal. There exists somewhere a pilot comedy show of The Bad Mother’s Handbook produced by ABC, but it never became a series. Perhaps one day it’ll be discovered and re-commissioned. I did scoop genuine Hollywood star Rob Pattinson for the British tv version, though.
Tabloid or broadsheet?
The Today Programme on Radio 4.
Independent bookshop or Amazon?
Each has their place but I’m a huge fan of the independents, not least because they’re SO supportive of local authors. My local BookShrop is fantastic at putting on events where writers and readers can meet each other, and it’s always fun and informative whether you’re the one speaking or you’re in the audience. Plus the everyday service is friendly and personal. We’re really blessed with great independents in Shropshire, actually.
Hacker or adder? (in terms of editing)
Both, as the occasion requires. Also wholesale scene shifter, restorer, compulsive fiddler.
Plotter or panter? [ie do you plan out all your work first or write by the seat of your pants?]
Obsessive plotter. I daren’t start without my timelines, all carefully drawn out with significant dates, my characters’ family trees and back-story.
Leave on a cliffhanger or tell all?
I like to do a bit of both. As a novelist you’ve taken the reader with you for three hundred-plus pages on the promise of some sort of resolution, so you have to offer a degree of satisfaction. Then again, when I’m reading fiction I like to be able to do some of the work myself, and be given room to fill in blanks and possibilities. That process draws you in and is much more emotionally involving. I hate a book which gives you absolutely everything on a plate.
You really must read…
Johannes Cabal the Necromancer by Jonathan L Howard. Such an inventive world, such lovely dark humour.
I get most excited by…
A seed of an idea beginning to split open and unfurl, the first flash of green poking through the soil. That’s the point at which I know a story’s beginning to tell itself, and I need to start getting notes down.
If I wasn’t a writer I would...
Work in conservation. I love field studies and animal tracking, cataloguing, mapping and taking photographic records. I also enjoy environmental campaigning. I am a thorn in my local planning department’s side.
An author should never…
Give in to mid-stage panic. Everyone gets at least one crisis part way through a long project, but the trick is to keep your head down and push on through. You can always perform radical prose surgery at a later date. Almost everything’s salvageable in some form.
Kate's website is here