.
The Course of True Love
.
The E Debate
I’ve been researching and listening to lots of debate recently with regard to the argument that self publishing would never be the preferred route to go, if given the choice of a traditional publishing deal. It seems the more and more I hear, the curiouser and curiouser the debate becomes.
Let’s face it – if any of us unpublished writers were truly given that choice today, right now, this morning, we would more than likely grab the publishing house, the editor and the future relationship that they bring. We would grab it firmly by the cojones, take it back home, cuddle it under our duvet and never let it out of our sight. We would announce to the world that we are in bed with Harper Collins, Orion, whoever... We would break out the bubbly that's been chilling for years, waiting for our overnight success, and we'd find it hard to wipe the smile from our face. Or would we?
Because it does seem that more and more people are actually making the other choice. Yes, choice. The choice thing has been quite a shocker to me. What? Proper writers really want to do this? I, like many, have always seen the self publishing option as a last resort. The stigma attached to it, I believed, would only ever see me as someone who had to publish their own novel. However, now, having looked into it, discussed it, raped and plundered the world wide web for information, read some really informative books on the subject , I now believe, that just like has happened in the music business with digital downloads, the tide is possibly turning in the publishing industry.
I’ve found several successful writers and by that, I mean writers of good books, who have found success by making the choice to self- publish. I’m not just talking about the John Lockes of this world or the Amanda Hockings - though their experience is uplifting – I mean people who walk and talk in our world, people we know out there in the blogosphere. (Hi Talli, Mel, Catherine)
So why? Why are people choosing the route? And what will happen to the industry if the trend continues? My worry is that the digital world will be overrun with books of questionable writing and this IS a problem. During my own research, I downloaded some books that had never seen a proper edit, had fairly dodgy covers and honestly, I could not read past page three or four. However, I’ve also downloaded some fabulous reads and believe that good writing will win out. Readers are a discerning lot and very capable of finding books that interest them, whether that be via a traditional method by browsing through a bookstore, or choosing an ebook. (Plus, the Amazon ability to ‘try before you buy’ often allows you to download that first few pages, which does stop a few buying errors.)
It’s clear that if you are contemplating self publishing, the worst thing to do is to consider it a last resort, and just upload those old manuscripts you have lying around. Instead, consider yourself an entrepreneur, launching a new business that has to work. You have a product you love and have faith in (your manuscript). You believe that the world should share in it. If so, treat it as you would if you’d invented a new wheel. Make sure the R&D (Research and Development) are thorough (i.e. make sure the ms is the very best it can be). Push it through the highest of standard checks (i.e. hire an editor, proof reader), make sure that the packaging will whet the buyer’s appetite (i.e. make sure the cover is one that someone would want to pick up on the 3 for 2 table in Waterstones.)
What are the downsides? Well, apart from the still existing stigma I mentioned above, there is the lack of an agent (though not always) and a publishing house.Those authors traditionally published claim both are vital. Also, there’s no advance, but the much higher royalty scheme should help compensate. Besides, from what I understand advances are not what they used to be, as industry margins come under increasing pressure. As a self published author, you won’t make it to that 3 for 2 section either. High street stores will not stock self published books. You also have to become your own self publicist and a good one at that, but again, I feel that this has changed in traditional publishing and many authors have to do this anyway.
Upsides? More control over your product (though not necessarily a good thing unless you really know what you’re doing). Instant publication i.e. once you’ve written that very best book it can be, had it edited, designed a cover – it takes hours, a few days at most before its out there in the world. So, little or no lag time... Better royalties, assuming of course you’ve done it right and are making sales.
So, bet you’re dying to know. Have I convinced myself? What I do know is that when I started to think about self publishing as an option for me, I didn’t have a clue what a minefield it is and indeed, how much work would be involved. Part of me was thinking ‘Why not just stick it up on Amazon and see what happens?’ WRONG!
Wrong, wrong, wrong at every level.
Either way? If Harper Collins phone and I head to the duvet smiling, or I decide to use Kindle Direct Publishing as a future route, my own new wheel still has a few kinks in it - I still have some work to do on that manuscript...
What we're writing...
So let me fill you in on what the Strictly team have been writing this week:
Debs seems to be spending a huge amount of time designing covers and writing blurbs and pitches now she's leapt into the world of e-publishing. She's all about saturation! She's also writing the first 5000 words for the Good Housekeeping New Novelist comp.
Fi is writing a blogpost for her (not new, more restored) blog and would love some visitors. So get thee over to www.manic-muse.blogspot.com
Susie has been writing her journal (she tries to do a Morning Page every day) and has sent about 30 emails asking magazine editors if they'll review The Making of Her.
Caroline R is writing a Valentine themed blogpost for The Quack Doctor, but is a bit bah humbug about Valentine's Day so is including plenty of death and skullduggery.
Caroline G is powering away on her next book (working title Molly Stone) and feeling a bit better having renegotiated the deadline!
Gillian is revisiting the first draft of The Dodo Society (the bird not the baby pacifier), reworking scenes and expanding ideas and themes. She's also filling in passport forms.
As for little old me, well, I'm now well into the WIP. I tentatively like the plot and some of my new characters but fear my ed is going to pull a face at my, admittedly, complicated structure. We'll see.
So what about you guys?
HB x
Guest post by Luisa Plaja - My Essential Writing Props
- Pen. This is surprisingly difficult to
achieve, as pens do not last long in my presence. They get carried away by
mysterious invisible breezes and whisked into faraway lands where they roam
free, occasionally resurfacing miraculously in captivity in the unlikeliest of
places. Has your imagination come up with a really unlikely place? Double it.
That’s where I last found my favourite pen. True fact. (Maybe.)Gimme Mawer
It was shortlisted for the Man Booker Prize and quite rightly so because the book is a real page turner, one that I couldn’t close even though it was going on midnight. Its central idea is the modernist Landauer House which was constructed for newlyweds Viktor and Liesel. But as World War Two threatens and Nazi troops enter Czechoslovakia, the family, along with Viktor’s lover Kata and her child, are forced to flee. I won’t take you through the whole synopsis, for fear of spoiling any interest I’ve managed to whip up, but I do thoroughly recommend this book. If you choose to read this one, I guarantee it’s one you won’t fall asleep to because of the wonderful intensity of the characters and prose. I was sorry I hadn’t discovered Simon Mawer prior to The Glass Room and I asked myself how he had managed to slip through the reading net.
I went on to seek out more books penned by this talented writer and opened The Gospel of Judas. It was a fantastic read, fast paced and cleverly written, all about papyrology. The story involves Father Leo Newman's discovery of a lost papyrus scroll near the Dead Sea which looks to contain a fifth gospel, one that follows Jesus' life and crucifixion from the point of view of Judas Iscariot. And it has a love story thrown in for good measure – the choice between God or a woman.
For the scientists among us, there's Mendel's Dwarf with the central character, Dr Benedict Lambert, a top geneticist who is a descendant of Gregor Mendel, the Austrian monk. Essentially, Lambert is a dwarf and he attempts to isolate the gene that gives rise to achondroplasia (dwarfism) but while his public life revolves around scientific issues, his private life is centred around pornographic magazines.
Simon Mawer was born in 1948 in England, but has lived for more than 30 years in Italy with his his wife and two children. He graduated from Oxford University with a degree in zoology. If you haven't read any of his books, I implore you to just dip into one and read the first chapter.
And on a final note, Simon Mawer’s literature has been endorsed by a celebrity - Britney really IS singing Gimme Mawer, because she’s so well read.
And here is the weather forecast . . .
There's a strange zeitgeist of the moment when a common event affects us all and is translated into our creative work, or so I imagine. Come on, own up if you've written about snow in the last twenty-four hours.
When I sat down to do my post for Strictly Writing on Sunday, all I could think of was . . .
Silent Sunday
Today we venture out of our front doors
like visitors in a foreign land
to find the greatest cover-up of all;
our cars are painted uniform
white and our gardens have dissolved.
To some this is the biggest show in town
presenting troupes in gloves and coats and hoods
up for play fights; you may talk to strangers.
London is one giant sculpture park.
A chance to walk the centre of the road.
To another this is inconvenience:
tubes are out and all the buses dead
a struggle just to go and get the news,
a danger to the old folk and the sick,
best to stay inside all day today,
fret about the walk to work tomorrow.
Others marvel at the change of scene:
how beauty has descended on this city,
softened every perpendicular
to moulded curves of crystal,
frozen foam that shines to dazzle and
yields with a delighted crunch.
Pass the camera, point it at our hedge.
Arching over all this, it is the sound
that enfolds this city in its thrall,
every human voice a lonely cry,
a closing door echoes down the street,
the squawk of a magpie hangs in the air
as we are transmuted to a London
of a hundred years ago or more.
Friday Reading Round-Up
I will lower the tone: I'm reading Alexander McCall Smith's 'A Confederacy of Friends', together with Jane Wenham-Jones' 'Wanna Be A Writer We've Heard Of?' (hah!). I've also been reading my novel through before it goes for typesetting.


.jpg)
