The Course of True Love

If I were to get into the spirit of things, I would probably use today's post to give a cringeworthy guide to writing love scenes, or list the top ten best Valentine's gifts for writers, or detail how a caring and tolerant partner is an essential component of the writerly life.

I'm a cynical sod, however, and don't wish to celebrate Hallmark Day in any other way than to be left alone to get on with stuff, so my only concession to today's occasion is that the title of the following 19th-century poem refers to True Love.

I discovered this anecdote/joke a few months ago, and was impressed by its triumph-of-the-underdog theme and its wry realism. It dates from 1897 and appeared in Judy magazine.

***

“I understand that Rudyard Kipling is paid two shillings a word for his poetry,” said the soulful poet to the hard-headed editor. “Now you don't pay me any such price for my poetry.”

“I can hardly pay you two shillings, but look here I'll give you two shillings a line for a short poem.”

Next day, the budding poet returned with this:

THE COURSE OF TRUE LOVE
.
I,
John,
Yearns,
Jane
Turns:
Eyes
Meet,
Love
Sweet!
Jane
Stops,
John
Pops.
Both
Wed,—
'Nough
Said.

II.
John
Mad,
Jane
Sad.
Both
Fight;
Sad
Sight!
Whole
Week,
Won't
Speak.
Re-
Course
Di-
vorce.


The Editor counted the lines, paid the money, saying “I'm beaten for once. I thought you were only a poet, but you've got brains.”

**************************

Ah, who am I trying to kid with all this cynicism? Here at Strictly Writing, we really do have something to celebrate, because our very own Caroline Green has been shortlisted in the Romantic Novelists' Association Awards for her wonderful young adult novel, Dark Ride. 

Caroline's book is up for the Young Adult Romantic Novel Award, and we're all very excited for her as the awards ceremony approaches. Congratulations, Caroline, on such a fab achievement!

The E Debate

I’ve been researching and listening to lots of debate recently with regard to the argument that self publishing would never be the preferred route to go, if given the choice of a traditional publishing deal. It seems the more and more I hear, the curiouser and curiouser the debate becomes.

Let’s face it – if any of us unpublished writers were truly given that choice today, right now, this morning, we would more than likely grab the publishing house, the editor and the future relationship that they bring. We would grab it firmly by the cojones, take it back home, cuddle it under our duvet and never let it out of our sight. We would announce to the world that we are in bed with Harper Collins, Orion, whoever... We would break out the bubbly that's been chilling for years, waiting for our overnight success, and we'd find it hard to wipe the smile from our face. Or would we?

Because it does seem that more and more people are actually making the other choice. Yes, choice. The choice thing has been quite a shocker to me. What? Proper writers really want to do this? I, like many, have always seen the self publishing option as a last resort. The stigma attached to it, I believed, would only ever see me as someone who had to publish their own novel. However, now, having looked into it, discussed it, raped and plundered the world wide web for information, read some really informative books on the subject , I now believe, that just like has happened in the music business with digital downloads, the tide is possibly turning in the publishing industry.

I’ve found several successful writers and by that, I mean writers of good books, who have found success by making the choice to self- publish. I’m not just talking about the John Lockes of this world or the Amanda Hockings - though their experience is uplifting – I mean people who walk and talk in our world, people we know out there in the blogosphere. (Hi Talli, Mel, Catherine)

So why? Why are people choosing the route? And what will happen to the industry if the trend continues? My worry is that the digital world will be overrun with books of questionable writing and this IS a problem. During my own research, I downloaded some books that had never seen a proper edit, had fairly dodgy covers and honestly, I could not read past page three or four. However, I’ve also downloaded some fabulous reads and believe that good writing will win out. Readers are a discerning lot and very capable of finding books that interest them, whether that be via a traditional method by browsing through a bookstore, or choosing an ebook. (Plus, the Amazon ability to ‘try before you buy’ often allows you to download that first few pages, which does stop a few buying errors.)

It’s clear that if you are contemplating self publishing, the worst thing to do is to consider it a last resort, and just upload those old manuscripts you have lying around. Instead, consider yourself an entrepreneur, launching a new business that has to work. You have a product you love and have faith in (your manuscript). You believe that the world should share in it. If so, treat it as you would if you’d invented a new wheel. Make sure the R&D (Research and Development) are thorough (i.e. make sure the ms is the very best it can be). Push it through the highest of standard checks (i.e. hire an editor, proof reader), make sure that the packaging will whet the buyer’s appetite (i.e. make sure the cover is one that someone would want to pick up on the 3 for 2 table in Waterstones.)

What are the downsides? Well, apart from the still existing stigma I mentioned above, there is the lack of an agent (though not always) and a publishing house.Those authors traditionally published claim both are vital. Also, there’s no advance, but the much higher royalty scheme should help compensate. Besides, from what I understand advances are not what they used to be, as industry margins come under increasing pressure. As a self published author, you won’t make it to that 3 for 2 section either. High street stores will not stock self published books. You also have to become your own self publicist and a good one at that, but again, I feel that this has changed in traditional publishing and many authors have to do this anyway.

Upsides? More control over your product (though not necessarily a good thing unless you really know what you’re doing). Instant publication i.e. once you’ve written that very best book it can be, had it edited, designed a cover – it takes hours, a few days at most before its out there in the world. So, little or no lag time... Better royalties, assuming of course you’ve done it right and are making sales.

So, bet you’re dying to know. Have I convinced myself? What I do know is that when I started to think about self publishing as an option for me, I didn’t have a clue what a minefield it is and indeed, how much work would be involved. Part of me was thinking ‘Why not just stick it up on Amazon and see what happens?’ WRONG!

Wrong, wrong, wrong at every level.

Either way? If Harper Collins phone and I head to the duvet smiling, or I decide to use Kindle Direct Publishing as a future route, my own new wheel still has a few kinks in it - I still have some work to do on that manuscript...

What we're writing...

As it's Friday we're giving you all another chance to nose into our lives. And we expect reciprocal rights of course.

So let me fill you in on what the Strictly team have been writing this week:

Debs seems to be spending a huge amount of time designing covers and writing blurbs and pitches now she's leapt into the world of e-publishing. She's all about saturation! She's also writing the first 5000 words for the Good Housekeeping New Novelist comp.

Fi is writing a blogpost for her (not new, more restored) blog and would love some visitors. So get thee over to www.manic-muse.blogspot.com

Susie has been writing her journal (she tries to do a Morning Page every day) and has sent about 30 emails asking magazine editors if they'll review The Making of Her.

Caroline R is writing a Valentine themed blogpost for The Quack Doctor, but is a bit bah humbug about Valentine's Day so is including plenty of death and skullduggery.

Caroline G is powering away on her next book (working title Molly Stone) and feeling a bit better having renegotiated the deadline!

Gillian is revisiting the first draft of The Dodo Society (the bird not the baby pacifier), reworking scenes and expanding ideas and themes. She's also filling in passport forms.

As for little old me, well, I'm now well into the WIP. I tentatively like the plot and some of my new characters but fear my ed is going to pull a face at my, admittedly, complicated structure. We'll see.

So what about you guys?
HB x

Guest post by Luisa Plaja - My Essential Writing Props




Ah, writing. Such fun to do, so hard to get down to. After I’ve danced the procrastination dance several times – this involves checking Twitter, emails and Facebook in ever-decreasing circles – I then begin to gather my props. I need to make sure I’m surrounded by these things as it’s a total waste of time/completely essential.

Five truly essential things for me are as follows:

- Tea. And plenty of it. I have a really big mug. I also have quite a large tea-bearing receptacle that matches my really big face, ho ho ho. Ahem. Moving swiftly on…

- Notebook. Any old notebook will do. I currently have a scruffy recycled paper one that cost 14p and feels pleasantly rough. It needs to be there for the scribbles I make while writing, which include helpful comments such as “WHERE IS THIS GOING?!”,  “HANG ON – WHAT IS THIS ACTUALLY ABOUT? Work it out!!!!!!” and “Don’t overuse exclamation marks!!!!!!!!!!!!!!”

- Pen. This is surprisingly difficult to achieve, as pens do not last long in my presence. They get carried away by mysterious invisible breezes and whisked into faraway lands where they roam free, occasionally resurfacing miraculously in captivity in the unlikeliest of places. Has your imagination come up with a really unlikely place? Double it. That’s where I last found my favourite pen. True fact. (Maybe.)

- Phone. This is an odd one if you bear in mind that I’m not a phone person. In fact, I’m bordering on phone-phobic. But the phone has to be there, next to me, as there might be an emergency. Or an (unwelcome, of course, tsk) interruption.

- Tea. Did I already mention tea? Well, this is a deliberate repetition. There can never be enough tea.

I recently read a post that told me I should lose all these props, though, and I think it might have had a point. Read the full article about things that writers should do here.

Do you have any essential writing props? Maybe I’ll get rid of the props above and adopt your suggestions instead…

---

Luisa Plaja is the author of several triumphs over procrastination, aka books. Her latest is a teen novel called Kiss Date Love Hate, and it’s published by Random House on 2 February 2012. Find out more at her website

Gimme Mawer

Simon Mawer is an engaging storyteller whose style of prose elevates his writing above that of many of today’s authors. I‘ve read many of his books including The Glass Room, an incredibly moving and atmospheric tale of architecture, loneliness and love, The Gospel of Judas, Mendel’s Dwarf, Swimming to Ithaca, set in Cyprus where Mawer spent some of his childhood, and The Fall. I talked about The Glass Room some time ago when I first read it because it was one of those books you feel you have to recommend to friends or indeed to anyone remotely interested in good literature. It blew me away and I immediately got caught up in the turmoil along with the characters.


It was shortlisted for the Man Booker Prize and quite rightly so because the book is a real page turner, one that I couldn’t close even though it was going on midnight. Its central idea is the modernist Landauer House which was constructed for newlyweds Viktor and Liesel. But as World War Two threatens and Nazi troops enter Czechoslovakia, the family, along with Viktor’s lover Kata and her child, are forced to flee. I won’t take you through the whole synopsis, for fear of spoiling any interest I’ve managed to whip up, but I do thoroughly recommend this book. If you choose to read this one, I guarantee it’s one you won’t fall asleep to because of the wonderful intensity of the characters and prose. I was sorry I hadn’t discovered Simon Mawer prior to The Glass Room and I asked myself how he had managed to slip through the reading net.

I went on to seek out more books penned by this talented writer and opened The Gospel of Judas. It was a fantastic read, fast paced and cleverly written, all about papyrology. The story involves Father Leo Newman's discovery of a lost papyrus scroll near the Dead Sea which looks to contain a fifth gospel, one that follows Jesus' life and crucifixion from the point of view of Judas Iscariot. And it has a love story thrown in for good measure – the choice between God or a woman.

For the scientists among us, there's Mendel's Dwarf with the central character, Dr Benedict Lambert, a top geneticist who is a descendant of Gregor Mendel, the Austrian monk. Essentially, Lambert is a dwarf and he attempts to isolate the gene that gives rise to achondroplasia (dwarfism) but while his public life revolves around scientific issues, his private life is centred around pornographic magazines.



Simon Mawer was born in 1948 in England, but has lived for more than 30 years in Italy with his his wife and two children. He graduated from Oxford University with a degree in zoology. If you haven't read any of his books, I implore you to just dip into one and read the first chapter.

And on a final note, Simon Mawer’s literature has been endorsed by a celebrity - Britney really IS singing Gimme Mawer, because she’s so well read.

And here is the weather forecast . . .







I hope you are snowed in and unable to go to work or to do any chores: forced to spend a day writing.










And if you do, will snow feature in whatever you write? A few weeks ago when we had the big winds across the UK I wondered if wind was cropping up in scenes in novels and stories all over the place. I wrote a poem called City Wind partly in answer to the wonderful and very rural Ted Hughes poem Wind (This house has been far out at sea all night).






There's a strange zeitgeist of the moment when a common event affects us all and is translated into our creative work, or so I imagine. Come on, own up if you've written about snow in the last twenty-four hours.






When I sat down to do my post for Strictly Writing on Sunday, all I could think of was . . .






Silent Sunday

Today we venture out of our front doors
like visitors in a foreign land
to find the greatest cover-up of all;
our cars are painted uniform
white and our gardens have dissolved.
To some this is the biggest show in town
presenting troupes in gloves and coats and hoods
up for play fights; you may talk to strangers.
London is one giant sculpture park.
A chance to walk the centre of the road.
To another this is inconvenience:
tubes are out and all the buses dead
a struggle just to go and get the news,
a danger to the old folk and the sick,
best to stay inside all day today,
fret about the walk to work tomorrow.
Others marvel at the change of scene:
how beauty has descended on this city,
softened every perpendicular
to moulded curves of crystal,
frozen foam that shines to dazzle and
yields with a delighted crunch.
Pass the camera, point it at our hedge.
Arching over all this, it is the sound
that enfolds this city in its thrall,
every human voice a lonely cry,
a closing door echoes down the street,
the squawk of a magpie hangs in the air
as we are transmuted to a London
of a hundred years ago or more.

Friday Reading Round-Up

So what are we all reading?

I’ll kick off by saying that I’m thoroughly enjoying ‘Sister’ by Rosamund Lupton, and as a total contrast I’m also reading Luisa Plaja’s latest Young Adult book, ‘Kiss, Date, Love, Hate’ which is making me grin with girlish delight.

Gillian
I'm reading ‘Half Blood Blues’ by Esi Edugyan which was shortlisted for the Man Booker Prize 2011 -   I'm ploughing my way through the entire shortlist!
 
Helen
I'm reading ‘Weaveworld’ by Clive Barker to my kids. We've decide to keep reading aloud en famille, even though they're twelve. So we've moved on to the books on our shelves that my husband and I have enjoyed and which are (vaguely) appropriate...
 
Caroline R
I'm reading ‘Crusade Against Drink in Victorian England’ by Lilian Lewis Shiman. I just looked on Amazon to check the author's name and discovered that the book is listed in the category 'The Crusades'!

Caroline G
I’m reading ‘The Book of Human Skin’ by Michele Lovric, which is strange and very good. I thought it was going to be a bit heavy going when I started but am gripped now.

Fionnuala
I’m reading the local planning laws because the f*****rs are refusing our planning application! I’m also reading ‘Dead Good’ by DA Cooper - a YA book by an up and coming author - very much enjoying it!
 
Susie
I will lower the tone: I'm reading Alexander McCall Smith's 'A Confederacy of Friends', together with Jane Wenham-Jones' 'Wanna Be A Writer We've Heard Of?' (hah!). I've also been reading my novel through before it goes for typesetting.
 
Rod
I am reading ‘The Cambridge Companion to Feminism in Philosophy’. Edited by Miranda Fricker and Jennifer Hornsby.

If any of you have read/are reading any of the above, we’d love to hear your thoughts (we’d also LOVE to know what you’re reading right now too –  we’re a nosy bunch!) Happy weekend, Strictly Followers! :)