1) Don’t save good ideas for “later on”. When I first started writing novels, I would hold onto my darlings, such as an original metaphor. But in time I realized, that if get your best bits of inspiration down straightaway, more will follow. So if you imagine a really exciting scene between your MCs, or have thought up a highly relevant, amusing joke, run with them then and there. This is one more way of making sure that every chapter sparkles, not just the first and last and climatic ones. In other words, don’t let the quality of your work wax and wane – aim for it all to be the best it can.
2) Don’t be scared of adverbs. I recently battled over the use of ‘reluctantly’. I told myself it was lazy, that really I should show the character’s feelings about having to go down and answer the door in the middle of doing her homework.
Nessie tossed her pen on the table and went downstairs – um, no, makes her sound ratty.
Nessie sighed and went downstairs – um, not too bad but she’s already done a bit of sighing.
Nessie stuck her fingers in her ears and carried on with her homework – um, no because then the doorbell will have to be run more frantically/she will have to be called down more loudly, and really it’s not that sort of scene.
Reluctantly Nessie left her homework and went downstairs – perfect.
3) Probably not something many of you need telling, but when I first started out I got it into my head that my prose and dialogue had to be written ‘properly’, that I couldn’t possibly put down abbreviations and contemporary references and slang and ungrammatical sentences. I now realize that is not the case at all - especially with my current commerical teen book. I guess what I’m saying is, don’t be afraid to write how people speak - where necessary.
4) Kill the Thesaurus. Honestly – it’s just for occasional use. Like a large Havana cigar, treat it as a luxury, one that can give intense pleasure (when you actually find the right word) but, in excess will kill all your hard work. Keep your vocabulary simple. Avoid the exotic.
5) Vary your word structure, especially if you are writing in the first person, otherwise the word ‘I’ will jump out at the reader. If you read widely, you will no doubt instinctively use a variety of conjunctions and vary the position of your clauses. I was very aware of word structure the first time I wrote a novel in the first person, but have noticed, after consciously tracking and changing the position of the different parts of my sentences, a book later the whole process comes much more naturally. So, some things can be self-taught.
6) Finally, over time you’ll learn which advice to take on board and which to ignore. One of the ones I now pay less attention to concerns the throwing down of the first draft. Yes, I throw mine down, but then I’ll hone a day’s work, edit it and polish, before moving on. Doesn’t mean to say I won’t rewrite it all at the end, it’s simply the way I work and one reason I am failing miserably at Nano! Embrace your own foibles. Do what works for you.
Well, folks, I could go on and on. But I won’t. I’ll open up the floor. What can you teach us all?
2) Don’t be scared of adverbs. I recently battled over the use of ‘reluctantly’. I told myself it was lazy, that really I should show the character’s feelings about having to go down and answer the door in the middle of doing her homework.
Nessie tossed her pen on the table and went downstairs – um, no, makes her sound ratty.
Nessie sighed and went downstairs – um, not too bad but she’s already done a bit of sighing.
Nessie stuck her fingers in her ears and carried on with her homework – um, no because then the doorbell will have to be run more frantically/she will have to be called down more loudly, and really it’s not that sort of scene.
Reluctantly Nessie left her homework and went downstairs – perfect.
3) Probably not something many of you need telling, but when I first started out I got it into my head that my prose and dialogue had to be written ‘properly’, that I couldn’t possibly put down abbreviations and contemporary references and slang and ungrammatical sentences. I now realize that is not the case at all - especially with my current commerical teen book. I guess what I’m saying is, don’t be afraid to write how people speak - where necessary.
4) Kill the Thesaurus. Honestly – it’s just for occasional use. Like a large Havana cigar, treat it as a luxury, one that can give intense pleasure (when you actually find the right word) but, in excess will kill all your hard work. Keep your vocabulary simple. Avoid the exotic.
5) Vary your word structure, especially if you are writing in the first person, otherwise the word ‘I’ will jump out at the reader. If you read widely, you will no doubt instinctively use a variety of conjunctions and vary the position of your clauses. I was very aware of word structure the first time I wrote a novel in the first person, but have noticed, after consciously tracking and changing the position of the different parts of my sentences, a book later the whole process comes much more naturally. So, some things can be self-taught.
6) Finally, over time you’ll learn which advice to take on board and which to ignore. One of the ones I now pay less attention to concerns the throwing down of the first draft. Yes, I throw mine down, but then I’ll hone a day’s work, edit it and polish, before moving on. Doesn’t mean to say I won’t rewrite it all at the end, it’s simply the way I work and one reason I am failing miserably at Nano! Embrace your own foibles. Do what works for you.
Well, folks, I could go on and on. But I won’t. I’ll open up the floor. What can you teach us all?
