Showing posts with label Dark Dates. Show all posts
Showing posts with label Dark Dates. Show all posts

Writing Resolutions for 2013


So, 2102 is over, 2013 is here – what are your resolutions for the coming year? In some ways, 2012 was a bumper year for me in terms of writing. I published my new novel, Dark Dates, and followed it up with a couple of digital short stories to keep the readers’ interest up, and I spent a lot of time building my fledgling consulting business. So the bulk of my resolutions would be – more of the same, but better.

But since it’s always good to have a list of goals – and some of these might help you spur on your own writing this year – here are my Writing Resolutions for 2013.
 

Remember there is never the perfect time to write: one of the biggest mistakes people make, I think, when it comes to writing is they put it off until they have ‘the time’ to do it, which is always in some mythical future. If you can’t spend the whole day writing, what’s the point? But the fact is, you’ll never have the time to do it – life will always encroach on your writing time. So snatch moments when you can. Writing half a page a day will soon add up. I found last year that if I forced myself to do ‘just one page’ or ‘just 15 minutes’, that was often the push I needed to get lots done, and it turned out to be remarkably easy to fit in around the demands of my other jobs (which are pretty bloody demanding at times). Try it in 2013 – you might be shocked by how much you can do!
The Avengers think you should be writing
 

Don’t wait for inspiration to strike: while I do believe that sometimes it’s worth thinking about something before you write it (depending how your thought processes work – I often ‘carry round’ stories in my head for a while, then write them all in a rush) there is nothing more ruinous to productivity than waiting for the ‘right moment’. Your muse is more likely to come visit if you’re already writing – and remember, if it’s rubbish, you can always rewrite it later!

Don’t get hung up on reviews: the thing that shocked me this year was how much I was bothered by reviews. I might have expected the bad ones to sting (and they did – there were occasions when I was sorely tempted to point out just how much someone had misread my books), but I was surprised to find that while I loved the good reviews, obviously, I also felt like they were putting some kind of pressure on me, and would spiral into a panic about people hating the sequel. This year I resolve to recognise my irrationality, and avoid temptation by not reading reviews. Or most of them, anyway. OK, look, that’s a work in progress… [Post script: I just went to get the link for my book from Amazon ot add to this article and found I'd got another 5 star review. So I read it. Like I said, a work in progress...!]

Reach out to bloggers and readers: one of the delightful things about this year was connecting with a whole bunch of lovely book bloggers. I was intimidated at first about approaching them – why the hell should they be interested in my little book? But most have turned out to be really nice, and I’ve made some great connections with some fantastically fun women. I’d like to do more of this in 2013.

Listen to feedback: I just sent my new book to beta readers, and while I feel ridiculously precious about it, like all writers, I do know I have to take on board feedback. I have already had a couple of things pointed out to me that I know I need to fix…

Keep going: the most important thing of all. It’s really easy to get discouraged when you’re operating in a saturated market and feel like what you’re doing is insignificant or pointless, or will never make you any money, or will always take a lot of time while yielding very little reward.  But the last year has made me realise that, above all, writing makes me happy in a way that nothing else does – and I’m thrilled to have found readers who enjoy my work and like my characters. Whatever the challenges of 2013, I don’t want to give that up.  
Buy more notebooks: because you should always set at least one resolution you know you'll keep...
A girl can never have too many notebooks...
 

In the beginning...

First lines and daisies remind us that small is beautiful.

In a recent post on Strictly Writing, we looked at famous opening lines of books. Taking that as my inspiration, here are the opening lines to our own books, some published, some going through the publishing journey and some wearing the badge of pride that is 'Work in Progress'.



In no particular order, here are our paper children (phrase borrowed from Richard Bach) along with a few background details. Take it away, Strictlies!


Cracks by Caroline Green
Opening line: 'The first crack was freaky'. 
Genre: YA dystopia
Background: Cal's discovering that his life is not as ordinary as he thought. That's scary. Particularly when it seems he's the very last to know. He needs to find out the truth - but, with lies, danger and deceit on all sides, is there anyone he can trust?


Doll by Tracey Sinclair (pub. Kennedy & Boyd)
Opening line: Before you start feeling sorry for me, there's something I should tell you.
Genre: Fiction. 
Background: Devastated by the death of her best friend, Thea Stanton goes in search of the father who abandoned her as a baby and the family she never knew - only to realise that sometimes the past should stay buried... 


Re:Becca by Deb Riccio (writing as D.A. Cooper. e-book available on Amazon)
Opening line: 'My parents could have been a part of Hitler's army.'
Genre: YA.  
Background: Becca Banks is misunderstood.  When her parents confiscate all her electronic gadgets for doing something silly at school, she starts to understand how life must have been before the age of mobiles, internet and iPods, and she doesn't like it.  She can't see what the bullies are saying about her anymore and she can't stare at Judd Crawley's photo on Facebook until she falls asleep.  Becca's best friend Liberty, however, sees only the good that can come out of the situation but it's her creepy brother Jason who Becca has to watch out for.


Covenant by Derek Thompson
Opening line: For an hour Errmoyne had sat, facing the altar where the stone Tablet rested.
Genre: Fantasy
Background: Isca has followed the faith since childhood, taking her from the Settlements and into the City States. Now, as a priestess, a prophecy bears fruit. But what if the long-awaited Righteous One isn't so righteous after all?


Standing Man by Gillian McDade (pub. History Press Ireland) date to be confirmed
Opening lines: Once he started singing, no one could stop him. It gave him great joy. So when he suddenly stopped and clutched his chest, that's when we knew something was wrong.
Genre: Northern Irish contemporary literary fiction.
Background: Set at the height of the Troubles, the novel explores the complex relationship between a young survivor of a church shooting and a repentant IRA man and asks if it's possible to forgive and move on from the past.


Coming Through by Deb Riccio
Opening lines: 'The last time I saw Price Johnson he'd had his hand up the back of my t-shirt in a valiant attempt at unfastening my shiny new Wonderbra; if I'd had a bit less fear or a bit more to drink I'd probably have told him it was a front-loader and let the passion commence.'
Genre: Rom-Com.
Background: When Price Johnson, the famous Midland's Medium returns to his hometown and drops into his old local radio station for a bit of free publicity, he's surprised to find himself sitting opposite Lizzie McCarrick, the geeky one from High School who was supposed to be a Doctor or a Scientist or a Barrister by now.  His only hope is that she's forgotten everything that he can still remember because he didn't see THIS coming.


Dark Dates by Tracey Sinclair
Opening line: SO, WE’VE all seen Buffy, right? I mean, you didn’t pick this up because the shop was out of Jane Austen and this looked like the next best thing.
Genre: Urban fantasy.
Background: All Cassandra Bick wants is to be left to get on with doing her job. But when you’re a Sensitive whose business is running a dating agency for vampires, life is never going to be straightforward – especially when there’s a supernatural war brewing in London, a sexy new bloodsucker in town and your mysterious, homicidal and vampire hating ex-lover chooses this moment to reappear in your life…


Dead Good by D.A. Cooper (ebook available on Amazon) 
Opening line: 'This sucks.'
Genre: YA 
Background: 16 year old Maddie Preston's father loses his well-paid banking job and moves his family out of their 4 bedroomed home and into a small house that hasn't been lived in for a while.  It's not until Maddie starts seeing the ghosts of the previous residents who perished at the house in a fire that she starts to make sense of life, love and everything in between. With best friend and spiritual know-it-all Amber, Maddie sets out to help the gorgeous (but not breathing)  Leo and his family move on with their deaths.


Life, Lopsided by Deb Riccio
Opening line: 'My left boob is bigger than my right.'
Genre: Rom-Com. 
Background: Lisa Thomas likes her life nice and organised.  Jars have to face out, potatoes evenly roasted; pictures have to be straight and boyfriends aren't supposed to dump you whilst you have toothpaste running down your chin.  So when her mother turns up at the shop where Lisa works looking more like Cher's older, bolder sister than her usual young Margaret Thatcher and announces her father has left her for a girl Lisa used to share tampons at school with, Lisa knows she needs to do something drastic to make everything go back to normal again.


Scars & Stripes by Derek Thompson
Opening lines: Thursdays had always been my favourite day of the week, until that one. "I've got something to tell you," Polly whispered breathlessly, as we stood in her bedroom, "and you're not going to like it."
Genre: Comedy drama.
Background: It's the late 1980s. Madonna's star is still rising and punk is dead, although 20 year-old Alex barely knew it when it was ill. He's been happy to drift along with retro hippy-chick Polly, until she decides that she wants more out of life than watching old sci-fi videos and eating tofu. Something's got to go - and that something is him.


Those first few opening lines can serve many purposes:
- They can entice the reader in.
- They can set the scene and deliver a flavour of what's to come.
- They can tell the reader what the POV is.
- They can give you a sense of the voice (external or internal) of the main character.
- They are the author looking back at you through their words and whispering, 'This is me.' 


Don't be shy, tell us what you think - we can take it. And if you've written something of your own, add your title, first line and genre in your comment.