New Beginnings?


The Winter Solstice has just passed. The darkness of winter is slowly and almost imperceptibly giving way to the light. This is the true New Year.

No, I’m not going to bang on about writerly resolutions. Instead, I’m thinking about new beginnings. And when they’re necessary, writing-wise.

My first novel was a bit of a miracle. I’d turned up for a week’s How To Write A Novel course, run by the redoubtable romantic novelist, Jane Pollard. I arrived clutching my WIP like a lifebelt – not much of it, but a beginning nonetheless – all bright-eyed and ready to Learn. Imagine my horror when Jane told us to abandon any novel we’d already begun and to start, this week, from scratch. What the hell would I write about? But I reluctantly let the novel go.

That night, something extraordinary happened. After a long day on the course, the germ of an idea appeared. I sat at my kitchen table and began to write. By next morning I had a story. Something I’d never thought of writing. I knew who the characters were to be. I knew roughly what happened and how. I knew how it ended. Indeed, when Jane had us write a sex scene during the week’s course, I wrote the final scene. And whilst much of the novel has changed over the course of the following five years, that scene has remained almost untouched.

So I’ve been struggling to write my second novel for ages. I got as far as a third of the way through, and stopped. Then I embarked on a frenzy of editing – bad idea - and stopped again. I ran it past various writerly friends and colleagues – and stopped yet again.

Of course it’s different second time around. I’ve been busy editing and preparing the first novel for publication. I have a marketing plan to sort out. I’ve also moved house twice in a year and had countless stressful things to deal with. Is this the reason why I haven’t written anything new for over a year? Could be. Or is it fear? Quite possibly. Or the dreaded Second Novel Syndrome? Wouldn’t be surprised.

Or do I need to let this novel go and see whether there’s a sliver of a new idea waiting to be born?

It’s a knotty question. It may be that I haven’t fully committed to the novel. It may be that I haven’t yet fallen in love with the characters or the plot. These things may happen in time. Or they may not.

It’s a bit like being in a relationship which has weathered the early, heady days but got stagnant. Do you persevere with it in the hope that it will deepen and revive or let it go and trust that something more resembling a soulmate will appear?

Part of me longs to set the current novel aside and start again, from scratch. To sign up for a course in novel-writing and begin again at the beginning. To somehow wipe away the years of rejection and angst and find again that bright-eyed innocence, that trust in the process and a successful outcome. But as William Blake wrote, once you’ve been through the process of Experience you will never have that innocence again. All you can do is bring your newfound experience to bear on the next thing, and try to learn to trust.

So my toast, this Winter Solstice, is to new beginnings. Whether this means a new commitment to an old love, or the search for a new, unknown one. Perhaps all that’s required is an empty heart. I wish you all joy for your writerly festivities and all creativity and joy for the year to come. Oh, and here are three quotes, as companions on the journey:

Vitality shows in not only the ability to persist but the ability to start over.
F.Scott Fitzgerald

Standing on the starting line, we are all cowards.
Alberto Salazar


You don’t need endless time and perfect conditions. Do it now. Do it today. Do it for twenty minutes and watch your heart start beating.

Barbara Sher

Not a Partridge Nor a Pear Tree In Sight...

I had this post drafted when there were twelve days to Christmas and had it all nicely tied in the with festive song. However, without boring you with the details, I’m posting a later version of it now. And it’s really got nothing to do with the song, not a sign of milking maids or partridges... It hasn’t even got anything to do with Christmas... However, it is my little gift to you procrastinators out there who like to browse websites/articles with writer-ly stuff. One for each day left in 2011 – enjoy!




1. www.unbound.co.uk
Interesting concept where readers pledge unpublished authors support in getting their book published

2. http://www.dailymail.co.uk/home/moslive/article-2040044/Kindle-How-make-million-writing-e-book.html
Article on e-publishing with Kindle. Could YOU make a million?

3. http://emergingwriter.blogspot.com/2010/08/how-to-write-synopsis.html
Do you, like me, dread the word ‘synopsis’?

4. http://www.advancedfictionwriting.com/art/snowflake.php
How to write a novel using the ‘snowflake method’.

5. http://www.creative-writing-now.com/short-story-ideas.html
A link for those writers who are interested in the world of short stories, but the site offers so much more as well.

6. http://inkygirl.com/a-writers-guide-to-twitter
Do you tweet? If not, should you?

7. http://writewords.org.uk/
Brilliant writer’s forum website and the first place where I met some fab writer friends!

8. http://www.be-a-better-writer.com/character-name-generator.html
Stuck on a name for that guy inside your head? Name your characters in a simple click!

9. http://www.writersstore.com/character-driven-or-action-driven
An interesting read on character versus plot. Which do you write naturally?

10. http://www.guardian.co.uk/books/2011/dec/07/writers-pen-names
Pen names – why and how?

"Fifty Things I've Learned About The Literary Life"



Apologies for the cop-outedness in the compilation of this post, but when I read this I immediately wanted to share it with you all...

http://www.guardian.co.uk/books/2011/dec/18/fifty-literary-life-robert-mccrum

And A VERY MERRY CHRISTMAS to everybody!

Important announcement

YOU SHOULD NOT BE READING THIS.

GO AND DO SOME WRITING -

STOP PROCRASTINATING.






Happy Christmas from Roderic.


(Hope to see you back here tomorrow for our next post)

A Recipe for Success: Guest post by Sam Tonge



This week, after 6 years of subbing to agents, I finally signed a contract. Whilst I know this alone is no guarantee of a publishing deal – let alone Hollywood film rights, dinner at The Ivy or worldwide stardom – it’s an important step for me, up onto the first rung of an author’s career ladder.


So, how have I accomplished this? What is my particular recipe for success?



100g of Maths

Hemingway said you needed to write 1,000,000 words before you were publishable. Okay. I’ve written 5 books. That’s 500,000 words. Plus short stories this last year. Call that 30,000 with all the rewrites. Blogging for a year, four years at university years ago if I can count that… All in all I’ve probably raked up 700,000 words. I’d say once you hit the half million mark, you are seriously on your way.



Someone else said it took 10,000 hours of practise to become the top of your field – an outstanding sportsman or great concert pianist. Okay. For the last 6 years I’ve probably written a minimum of 15 hours a week, minus 2 weeks hols. 50 weeks x 15 = 750, 750 x 6 years = 4500 hours. Plus all the extra stuff – uni etc – I’ve probably racked up around 6000-7000 hours. So, again, whilst there’s still great room for improvement, I’d say rack up around 5000 hours of writing practise and that first rung of the ladder should be in sight.



50g of Networking

Networking in itself will get you nowhere if the writing is not good enough. But it will open doors into getting your work read, hearing about new agents setting up and looking for clients, making friends with other writers who will introduce you to their agents. Over the years, through contacts, I have had large chunks of my novel read by certain agents. They’ve never offered me a deal, clearly I wasn’t ready yet – but their feedback was always invaluable. Join an online forum and get to know other writers on Facebook. Blog. Attend literary events. Get yourself out there.



50g of Feedback

Join an online workshop. Upload your work to get critique and, just as importantly, critique other writers’ work – it will teach you a lot. Over the years I’ve also had several editorial reports done, from which I’ve probably learnt the most.



I medium-sized eye for the market

Don’t write in a vacuum. Keep an eye on what is selling in your genre.



 
A pinch of madness

Only a fool would put themselves through years of rejection, right? Treat with large quantities of chocolate and Chardonnay.





To Decorate

Ice with a huge dollop of determination and sprinkle with sweat and tears.




For some the recipe is more straightforward and may contain nothing more than an appearance on a celebrity reality show and a ghostwriter. But for most of us, the combination of ingredients is more complex. Whatever your own personal recipe turns out to be, I wish you the best of luck. Don’t give up. The final taste is worth it.

Gimme more...

As most of you know, I'm a fairly prolific writer. Not for me endless hours waiting for the muse to strike. But when I read the blog post below, I felt like the biggest fattest amateur out there.

http://thisblogisaploy.blogspot.com/2011/06/how-i-went-from-writing-2000-words-day.html

I must admit that much of what the author said made massive sense to me.

Her first revelation that plotting saves time came as no surprise to me. Indeed, I am already a heavy plotter, knowing pretty much what a scene will look like before I come to my PC. Often I will have already played it out in my head and know who says what to who and where.

I'll have also asked myself the question...where does this scene take me? And I will have satisfied myself that it is integral, nay essential for the story. All before I begin to type.

I know that there are as many methods of writing as there are writers. And I know that the things this author highlights will seem counter intuitive to many. But I would urge anyone who needs to increase their output to at least consider these methods. I'd also give 'em a shot if I were 'stuck'.

Anyway, have another peep at the link and tell me what you think.

I'm A Writer, Get Me Out Of Here!


I’m sure you didn’t watch this year’s I’m a Celebrity, Get Me Out Of Here! Did you? I'm sorry to say that I wasted many hours watching various ‘celebs’ Facing Up To Their Fears.

The fascination lies in the way each individual has a completely different comfort zone when it comes to phobias. The Incredible Hunk (Mark Wright) was reduced to a whimpering bundle of terror when faced with a night in bed with a bunch of rats. Antony Cotton from Corrie had a panic attack at the thought of jumping out of a plane. Fatima Whitbread, on the other hand, battled her way through every trial in a gladiator-like manner, even when a cockroach got stuck up her nose. I’m full of admiration for them all, since I’m the Sinitta of the phobia world – petrified of everything.

Which leads me to wonder: what are your writing/marketing phobias? Where does your comfort zone end?

For months now I’ve been compiling a vast file of ideas for publicising my novel, ranging from having postcards printed (to press upon any poor soul who shows an interest) to randomly approaching well-known people for reviews. I’ve even done a public speaking course (which was actually excellent and enjoyable and which helped on many different levels).

So now I’m asking myself how far I’d be prepared to step out of my own comfort zone in order to let people know about my book? Would I walk into one of the large booksellers and ask them to stock my book? Would I learn how to write a magazine article and trawl it around likely publications? Would I dress up in a silly animal costume and give out leaflets? I realised I’d be prepared to do quite a few of these, if they seemed promising (fortunately the animal costume wouldn't be relevant, unless it was a book worm).

But there’s one experience which really terrifies me and feels waaaaay outside my comfort zone. The Radio Interview. Especially live. I fear that I’d find myself a) unable to talk any sense or, worse, b) unable to speak at all. After all, that's why I write - because I can express myself better on the page than at the microphone.

But a writing friend – whose comfort zone boundaries easily encompass radio interviews – suggested that I prepare myself for the (unlikely) eventuality of an interview by thinking about the kinds of questions I might be asked. Rather as an arachnaphobe might be persuaded to open a book about spiders before facing up to touching the real thing. And she suggested that I ask you, dear readers, for your help.

So here goes.

If you were listening to me being interviewed on the radio, what kind of questions would you want me to answer? And what kind of questions would you expect the interviewer to ask me? (My novel, The Making of Her, is contemporary women’s fiction and is about television, cosmetic surgery, middle age and transformation).

Any thoughts would be hugely appreciated!

And please be gentle, or I might scream...