Showing posts with label Septimus Heap. Show all posts
Showing posts with label Septimus Heap. Show all posts

Spotlight on Angie Sage


It all began in Cornwall. This is where the landscape for the Septimus Heap series was born and where Angie Sage at last got the chance to switch from illustrating books to writing them.
Although you will find the Septimus Heap novels in the nine to twelve years old section of the bookshop, they were written for, and are read and appreciated by, all ages. The books are fast paced, exciting tales of adventure full of interesting people and many layered relationships. They take place in a fictional world, which has enough similarities to our own to resonate, and enough differences to intrigue and entertain.
MAGYK, Angie’s first book in the series, went to number one on the bestseller lists in New York and London. “It was such a buzz, getting that phone call from my publisher.” Her other long running series, Araminta Spook, which is for younger children, reached the top ten of the children’s bestsellers.
Angie grew up in the south of England.  Straight out of school, she trained as a radiographer with a view to getting into medical school, but when that actually happened life had other plans.  A few years later she went to art school, knowing that she wanted to be part of making beautiful books. 
“After art school I got an agent and became a jobbing illustrator,” Angie says. “I did Ladybird books and toddler books, but I was pretty sure I could write too. So eventually I wrote my first book—a very simple story for under fives in rhyming couplets—and sent it in as a dummy book. After six months they said they were still looking at it. Six months later they told me, yes, it’s still here. I imagined it in a dusty corner, lonely and ignored. I waited yet another six months and with a heavy heart I phoned them up and asked them to send it back to me. The next day I got a call from the editor, who told me, ‘I was just walking down the corridor to put your book in the post when I realized that I don’t want to send it back to you.’ And that was that. They took it, and on the strength of that I got a literary agent.”
Angie balanced life raising her two daughters with illustrating, and writing a few early reader books. But, as with the pictures, she always felt that the early reader books weren’t quite what she wanted to write. Then the illustration work began to tail off. “I was actually without work for six weeks, and I thought, well, I can’t go on any longer than three months but I’m going to use this time to get into the atmosphere of something. I really thought that at the end of it I would have to go back to being a radiographer. I was actually making enquiries about refresher course,” she says with a shudder. “But I had this scene that was haunting me, where someone finds a baby in the snow, so that’s where it started. At the end of three months I had the first eight chapters, and on the basis of those my agent got me a publisher.”
And so began the Septimus Heap series, a three book deal that went to five books and then, as the Septimus world expanded, to seven. “The characters just kept arriving, and their lives just kept growing. When people ask me about them, I talk about them as though they’re real because they feel real. I think it’s the characters that sustain the series.” The series continued with the TodHunter Moon trilogy but the publication of book three, StarChaser, in October, will be the last of Septimus Heap—apart from a few follow-up novellas for diehard fans.
Angie left Cornwall in 2007 to move to a very old house in Somerset where she and husband Rhodri discovered a huge wall-painting of Henry VIII, which at times rather took over their life. It’s a house that would not be out of place in Septimus Heap, but it is also a demanding creature that can make it hard to concentrate on writing.
Angie is disciplined in her approach, and works a full working day. “I tend to work until the Archers comes on. If I’m into a book I will have a schedule with a word count, usually a thousand words a day, and if I’ve not done five thousand words in the week, I’ll need to catch up on the weekend. And then there is all the other stuff too: emails, letters, keeping up with Septimus fans and even at times, just finding time to think about new things, which sometimes gets lost but is, of course, the most important thing of all.”

Angie is now lead author on a project that is a departure from her normal way of working in that it involves planning five books in a series story arc but writing only the first one and handing the rest over to other writers. “It’s an interesting and different way of working,” she says, “and I’m learning a lot.” She also has a new series in mind and a standalone YA (Young Adult) novel waiting for the go-ahead.
A writer’s life is about so much more than just the writing. Angie is planning to move to a less demanding house and hoping to get out on the water a lot more, but she has a sneaking feeling that writing is going to be a huge part of her life for some time to come. In March 2016 she will attend The Writing Retreat in Cornwall as a visiting author, talking to the guests and sharing writing tips with them. She’s looking forward to being back in Cornwall, and in such a magical location.

QUICK-FIRE QUESTIONS WITH...ANGIE SAGE


Angie began as an illustrator of children’s books and slowly moved into writing books for toddlers. Then she allowed herself to write what had been in her head for years: Septimus Heap. She is now on the last book of the series and has a film in the offing with Warner Brothers.


Writing the Septimus Heap books has changed my life by...
... allowing me to write full time, which I had wanted to do for quite a while. Also it has been great to find that I can create something that people feel an emotional attachment to. In my previous working life as an illustrator I felt I never quite managed to do that. And of course feeling financially secure has made a big difference!

I write for children because...
...that’s just how it happened. Because I was illustrating children’s books it was a natural progression. When I have time I want to go back and finish my ‘grown-up’ novel, but that is a bit of a luxury at the moment.

As a child I read...
...voraciously. My mother got quite worried, first about my eyes “it’s not good for you, all that small print” and later about my lack of social life, “why don’t you get out more instead of always having your head in a book.” Hey ho. Up to the age of about eleven I read Enid Blyton, E. Nesbit, Rosemary Sutcliffe, all the classic children’s stuff with the exception of Swallows and Amazons which I somehow missed. After that I graduated to grown-up stuff, which I sometimes found scary.

Age-banding is...
...not a great idea. Books appeal to different ages for all kinds of reasons, not just age. Why be proscriptive? There’s enough to put children off from reading without adding an age range too, so that slower readers feel embarrassed about reading ‘too young’.

The hardest thing about writing is...
...writing! I do find plot the most difficult thing within that, whereas writing characters is what comes most easily.

My underlying themes are...
Isn’t that something the author is not meant to realise? At a guess I’d say that in the Septimus series is about putting back together things that have been broken and pulled apart. Creating a whole once more.

Longhand first or straight to computer?
Computer. I don’t think I could write a book without a computer, I change so much stuff much as I go along. I also don’t think well in longhand. The brain-keyboard connection is what works for me.

First drafts are...
...important to get right. Editing something that has not worked first time is a total nightmare. I try and get everything right (ish) as I go along. I think that is one of the great advantages of using a computer as in reality the first draft is probably the sixth or seventh. My drafts don’t change much at all, ideally the second draft is just about refining language, cutting repetition, making sure I’ve not shot myself in the foot with the timing- that kind of thing.

I wouldn't have got this far without...
...my editor at HarperCollins, Katherine Tegen. My first book, MAGYK, needed a lot of editing and I learnt so much from Katherine.

I'm most inspired by…
AARGH Why does this inspiration question really bug me? I dunno. I think it’s because it implies that writing is some idiot-savant thing you don’t have to work at or even think about. Just wait for the fairy dust of Inspiration to settle over you and write down what it tells you to. I always want to say, what do you mean by inspiration. What … do… you … mean? There, I have had my rant and I feel much better now, thank you.

My shameful writing secret is
I don’t plan much at all.

The most exciting thing about writing is
...when you write something really funny. So funny that you laugh at it days later.

The three writers I'd invite to dinner are...
Jane Austen, Evelyn Waugh and … well, it has to be William Shakespeare. I reckon he’s the only person they’d listen to. And I’d love to hear about Elizabethan society.

If I were to try writing in another genre it would be...
Please file Genre under the AARGH section – see Inspiration.

The best thing about being a published author is...
...people take you more seriously. And lots more people read your books. And you get paid.

A writer should never...
...get complacent.

Favourite writing snack...
Chocolate raisins.

If I could pass on any tip it would be...
Ask what people think about what you’ve written and listen to it. Do not be offended by what they say, even if you think they are sadly mistaken and wouldn’t know a work of genius if it hit them on the head. They are your readers.

If I could go back and do it all again I would...
...enjoy my early success with MAGYK more and not get so worried about writing all the other books.

When I'm stuck for ideas I …
...talk to my husband, Rhodri, who writes too, about the problem. I get ideas when I say things out loud.

Booker prize or Hollywood film?
Both, please! But for different books. Hollywood film for Septimus (and it’s looking like it might well happen...) Booker for my novel-in-waiting. If that’s ok. Thanks.