Showing posts with label Authonomy. Show all posts
Showing posts with label Authonomy. Show all posts

'TheTime Hunters' author Carl Ashmore asks: Dear Harper Collins, can I have my series back, please?

In September 2010, I was invited by the Strictly Writing team to write about my experiences on the Harper Collins writers website ‘Authonomy’. I had gained a gold star for my children’s book ‘The Time Hunters’, and a highly positive review from a Harper Collins editor. Here is a passage from that review:

'I really enjoyed reading THE TIME HUNTERS. You start off the action with a bang, drawing the reader in right away. Your writing is strong, and in places has a classic feel.... It has terrific potential.'

In October 2010, I decided to independently publish ‘The Time Hunters’ and made it available as print and eBook. Pretty quickly, the book gained a number of very positive reviews and began to sell well, generating a solid and loyal fan base. Since then, the book has gained 128 five star reviews across Amazon.co.uk and .com and sold twenty thousand plus copies. I have also published two sequels, ‘The Time Hunters and the Box of Eternity’ and ‘The Time Hunters and the Spear of Fate’ and they have sold equally well and maintained the same level of acclaim. I have also sold the foreign rights to a Brazilian major publisher, Bertrand Brasil, and ‘The Time Hunters’ is due to be published in that territory at some point in 2013.   


To sum up the plot, ‘The Time Hunters’ is about a young girl, Becky, and her brother, Joe, who, along with their time-travelling uncle and Will Scarlet, embark on a series of fast-paced adventures in a treasure hunt for powerful ancient relics.

Anyway, this month saw the publication of a new children’s series by Harper Collins. It’s called (I’m sure you can see where this is going) ‘Time Hunters’. And the plot – well, it’s about a boy and girl who embark on a series of fast-paced adventures in a treasure hunt through time for powerful ancient relics. Now, in many ways, that is where the similarities appear to end, but they don’t. In Book 5 of their Time Hunters they encounter ‘Blackbeard’ (I meet him in ‘The Time Hunters and the Box of Eternity’ (2011)).  In Book 4 of their series, they visit Ancient Greece, I do it in ‘The Time Hunters’ (2010). In Book 6 of their series they visit Ancient Egypt and battle mummies, I do that in ‘The Time Hunters and the Spear of Fate’ (2013).

I know full well you cannot copyright a title or idea, but this seems more than that. My series has been exceedingly visible across the Internet since 2010, so why on earth would anyone publish a new series under the same name, particularly when the general premise, some storylines and target audience are identical?

Like many writers, when preparing a new book, I spend countless hours considering titles, trying to find the most suitable one to reflect the tone, storyline, target audience and genre of the book. Upon crafting a list of candidates, I’ll Google what already exists. This is where I’m incensed by the actions of Harper Collins. ‘The Time Hunters’ (yeah, I know they dropped the ‘The’) is extremely visible whichever search engine you use. I also understand that some titles are common and will have multiple books attached to them. As an experiment, I Googled the term ‘Killing Time’ and found there were over twenty books from different authors with that title on Amazon alone. However, ‘The Time Hunters’ is a much less generic title. Plus, it is indelibly linked with an established and popular series that already exists … my series.
 
Furthermore, my frustrations are compounded by the fact the new ‘Time Hunters’ is published by Harper Collins - the very same company who said my book had ‘terrific potential.’

I have contacted the author and she (Chris Baker is a pseudonym) has pointed out she was working for a book packaging company, Hothouse Fiction, and that the name, concept, copyright etc. all belong to Harper Collins and Hothouse. She said she was merely a ‘hired pen’, that this kind of thing ‘no doubt happens a lot’ and I must find it ‘frustrating’. Well, in truth, there are other ‘f’ words I could use to more accurately describe my feelings about this.

And, in this case, I’m not sure this situation does happen as often as she suggests. As I said earlier, this is not merely the duplication of a title, or the similarity of the concept, this is a combination of the two that damages a brand (I hate that term) I have worked on since 2005. Clearly, if I approached another major publisher and pitched them a children’s time travel series about a boy and a girl that travel through time on a treasure hunt, then surely their response would be  ‘Well, hang on, Carl, a series like yours already exists and is published by Harper Collins.’

Let me just say I bear no ill feelings toward the author of the new TH series, whatsoever. She seems very personable and is just a writer trying to eke an income in a difficult publishing world. And I wholeheartedly believe her when she says she hasn’t seen my work. However, someone would have seen it, they had to have seen it - someone at Hothouse or at Harper Collins - and they still pressed ahead with their ‘Time Hunters’ series.

I’m just the little guy and they’re a major corporation. I write from my kitchen in a terraced house in Crewe, my four-year old daughter doing everything she can to stop me writing a word, whilst the people that have created this situation probably swan around Soho quaffing goblets of Viognier. The two stories are probably different enough for them to argue there has been no plagiarism, but I can’t deny this situation smarts, somewhat - no, as a matter of fact, it stinks…

Furthermore, as using the same title and concept of an existing series is clearly not an issue, then the next time I write a children’s series I’ll make sure it’s about young wizards and call it ‘Harry Potter’. No better still, I’ll call it ‘Ziggy Waggabobble and the Mosphorous Flagdulaters’, a story about heroin-addicted frogs that pepper their conversations with swear words. Let’s see if the Viognier quaffers want to nick that, too …

If you have any thoughts then my email is carlashmore@mailcity.com


Guest Spot: Carl Ashmore tells us how it feels to have the most successful book of all time on the Authonomy website...

We are delighted to have Carl guest for us at Strictly.  So without any further preamble,  let's find out a bit more about how he got to where he is today...

Who are you?

My name is Carl Ashmore and I’m an aspiring writer for children. I live in Crewe, Cheshire with my partner, Lisa, my one year old daughter, Alice, and a very round, grumpy Cheshire cat that flatly refuses to adhere to the stereotype.

‘The Time Hunters’ is my first novel and is about a teenage girl who discovers her reclusive uncle is a time traveller and becomes involved in a murder/mystery and a quest through time for the Golden Fleece. I am proud to say ‘The Time Hunters’ become the most successful book of all-time on the Harper Collins website www.authonomy.com and won a Harper Collins review in July.

What is Authonomy?

It’s a networking site for writers across the world and an online arena for critiquing work and sharing ideas. There are thousands of books uploaded at any one time and each month, the top five most popular books are selected for a review by an editor from Harper Collins.

What made you join Authonomy?

I was exploring writing websites and happened to stumble across Authonomy. It was never a conscious decision to join a site like it but I’m thrilled I did.

What other routes to publication have you tried?

Agents, mainly. With ‘The Time Hunters’ I had four requests to send ‘fulls’ and one offer of representation from an agency I chose to reject (for very good reasons). I tried one publisher ‘The Chicken House’ and they requested to see a full (this was when they accepted unsolicited submissions) but didn’t pursue it. The feedback from the agents was positive but did highlight issues I have since addressed.

Would you consider Self-Publishing?

I may well do. My dream has always to been to go the traditional route but I’m aware the publishing industry is changing. The development of new technologies (Kindle etc) and the ways readers are accessing books means that it would be rather silly to dismiss it outright. To be honest, I think many literary stars of the future will come from the self-publishing route.

How have you found Authonomy?

I enjoyed it enormously. Authonomy is merely a microcosm of life. Some writers are hugely giving of their time and experience and others are somewhat self-obsessed, egotistical and rather curt. It would be easy to be cynical about Authonomy (many are) but personally, I avoided such cynicism and concentrated on reading/commenting on the work of others and embracing the feedback on my work. I made a good friend in Mel Comley (a fellow gold star winner) and she offered to do an edit of my full MS, giving advice she’d received from other Authonomites. The process becomes a circular one. What I learn today, I pass on tomorrow.

Where did you get your pretty book cover from?

I’m a lecturer in film and media at a college. A friend and colleague of mine, Henryk Szor, created my cover after reading the book. ‘The Time Hunters’ is an adventure that fuses history with mythology (characters include a friendly Minotaur, Will Scarlet etc) and the main time machine is a 1963 Volkswagen campervan. Henryk liked the scene where the campervan is attacked by two Harpies in Ancient Crete and visualised it for the cover. Henryk’s work can be seen on www.henrykszor.com.


What advice would you give aspiring Authors considering using Authonomy?

Don’t expect the site to be the answer to all your publishing dreams. Only join if you’re committed to improving your book and not just because you want to win the Harper Collins review. The journey is what’s important, not gaining the gold star and review. I know ‘The Time Hunters’ is a considerably better book than when I joined because I listened to the advice of others. Treat the site and other writers with respect and it can be a valuable tool for self-improvement. It also increases your visibility on a world-wide stage and if you’re lucky, you may be spotted by an agent (this has happened to a number of Authonomites) or publisher.


What are your plans for the future?

Whilst I wait for my Harper Collins review, I intend to use the success on Authonomy to try and gain an agent. I’m also writing another children’s book ‘The Angel Prophecy’ about a very special thirteen year old boy embroiled in an ancient war between a modern Knights Templar and Hell demons.

I have also written two other children’s books for a younger audience ‘Bernard and the Bibble’ and ‘The Night they Nicked Saint Nick’ which will be re-edited as a result of the advice I’ve received from my time on Authonomy.

Most importantly, I have a beautiful one year old daughter who I am try to get interested in reading. So far, she has successfully destroyed a copy of ‘Charlie and the Chocolate Factory’ (which she smeared in chocolate) and tore out five pages of ‘Treasure Island’ and buried them under the couch. She may not be reading yet but I’m delighted she’s embracing the spirit of the books.

The link to the Time Hunters is:
http://www.authonomy.com/books/16708/the-time-hunters/

Carl can be contacted on carlashmore@mailcity.com

T'internet


As some of you know, I'm trying to finish book four. I'm running out of time and I've already begged one extension.
Every day I arrive at my lap top and estimate how far I'll get, yet somehow I'm always way behind. I have the very best of intentions so what on earth is holding me up?
My husband suggested, with an arched eyebrow, that I make a note of what I did during those hours I'm supposedly writing.
I glared at him. 'You mean a time and motion study.'
He didn't deny it.
Honestly, who does that man think he is? I don't waste time. I'm not on the phone all day, or watching Jeremy Kyle. The cheek.

So another day, came and went with only 1000 words on the clock, and I cracked. The results, friends, were shocking.
I may not be glued to day time telly but neither am I working flat out.

The internet is sucking away my life.

Enemy number one. Mumsnet.
For those of you who don't know, Mumsnet is a parenting website, peopled for the most part by middle class mothers.

To be honest, even if you're a childless pensioner from Peru, you may well have heard of it recently. As the election approaches, the powers that be (and want to continue as such) are courting the very community that Mumsnet represents. Apparently, we women with small children hold the keys to the Kingdom. And there was me thinking we held the ironing pile...

Anyhow, I have to admit to being an avid Mumsnetter. Not that I have any aspirations to political power, but rather because it's so damn entertaining.
The forums are always buzzing. There are discussions on everything from how best to deal with toddler tantrums, to how best to deal with the pensions deficit. These are intelligent women with plenty to say. And boy do they like to say it. Frisky, feisty, however you want to describe it, the forum on Mumsnet are not for the lilly-livered.

Of all the subjects that up the tempo, nothing comes close to a good debate between the Mums who work outside the home (WOHMs) and the Mums who stay at home (SAHMs).
Before you can declare Kate Winslet's latest decree nisi, the accusations start to fly, with the WOHMs decrying the SAHMs for not providing a good role model and the SAHMs stating that Mums who work 'outsource' the care of their children, and parent on a part time basis.
This last one makes me hoot out loud. The idea that while my children are at school, or with their Nana, whilst I write a few pages of my book, I am no longer their parent is rather engaging. Perhaps I could spend the time in the pub. Or travelling the world.
Of course, no one ever wins these arguments, but that's besides the point.


Another way of throwing away my time, is lurking on Authonomy, which for good old car crash internet value, is not unlike Mumsnet.
It was set up by HarperCollins as an alternative to the slushpile. Genius. Unpublished authors upload their books, rather than send them in to the acquisitions dept. The idea is the most popular books sneak up a chart and the top book is looked at by an editor, who might spot its masterly storyline and promptly offer a contract. This never happens of course but still...

What reminds me of my beloved Mumsnet is the constant argy bargy on the forum. And nothing gets them there Authonomites in a tizzy like 'the rules'. These arguments centre around whether writers should stick to certain rules like 'show not tell', 'never use adjectives',or 'avoid the passive'. Hilarious. Honestly, pull up a chair.

One camp declare such rules the work of the devil, that they sap creativity and can never replace talent. The other camp say the rules can only improve writing and quote Stephen King, 'the road to hell is paved with adverbs.'
I'm always tempted to point out that there is no black and white, only good writing, but I don't. Like a Roman at the ampitheatre, I enjoy the show.
Things go round and round in circles until someone points out that maybe they should stop rowing and get writing...


Which is of course what I should be doing. But then I heard about this great blog...

I curse you Mr Internet and all your seductive devils.

Kerching...


If you’re still following my NaNo journey, then give yourself a pat on the back.


It has been a bloody hard slog. Normally, I write quickly anyway, but this is something else. The energy required is beyond a working Mum whose other half is currently eating horse and chips in Kiev.


I’ve also noticed a shift in the atmosphere on the NaNo forums.

The end is in sight and the writers are turning their minds to what they should do with their manuscripts.
Strangely, edit like a bastard and submit to an agent seems to not be the popular choice.


Instead there is much talk of self publishing. Companies like Lulu and Blurb are being mentioned as good bets to see your work in print.


I must admit to feeling a little uneasy about recommendations like this. I mean, I have nothing against self publishing per se. It’s a free country and if you fancy getting your work turned into a book, well why the hell not?
What worries me, though, is the idea that this will lead on to something. That if someone, somewhere in the publishing industry happens upon your self -published tome that ‘good things’ will come to pass.
This is not, I have to say, a point of view the self-publishing companies discourage. If I had a pound for every time GP Taylor’s story is trotted out...well it would be bigger than my last advance.


I can’t help but think, though, that this is highly unlikely to be replicated by many authors, particularly if they don’t spend the weeks/months editing that most of us do.


Interestingly, these discussions have been drawn to my attention at the same time that Authonomy have released news that they are now providing an editorial service.


For those of you who don’t know, Authonomy is owned by HarperCollins, and was set up as a forum where would-be-published writers could upload their work with the hopes of being spotted by an editor at the publishing house.


An incredible number of people have taken part in the hope of that all illusive publishing deal.


The whole thing came under criticism for being a cynical way for HC to relieve themselves of their slush pile, and that nothing would ever make it to the book shelves.
To some degree those critics were silenced when Miranda Dickinson was plucked out by my own imprint, Avon, and her first book, Fairytale of New York, was published earlier this month.

I must say I was chatting with the woman who did said plucking at the HC summer party and she was very excited by the whole thing.


So it’s with disappointment in some quarters that Authonomy has now changed its remit and is offering an editorial service. These things don’t come cheap, and again, very rarely result in a work being published.


I sometimes worry that self publishing companies, editorial services, CW classes etc just prey upon aspiring writers, offering hope and taking the cash. I know we have free will to do as we please and no-one is forcing anyone to pay up, but it still makes me uneasy.


That these ideas and solutions are now taking hold in NaNo – lovely, Pollyanna-ish, writing for the fun, NaNo, is, I feel, a shame.

Sigh.